Morgan notes: "In 'Vampire', blood is a fine wine, a food, and epicurean delight...an excess which leads to death, murder, betrayal. In Dracula, it is a metaphor for a spiritual transgression, an act against god." Good points. The presence of blood itself is muted, perhaps necessarily, in b&w films like Browning's DRACULA and Dreyer's VAMPYR (despite the victim's moans--"The blood! The blood!"), but the Hammer/Christopher Lee films seems to delight in Technicolor blood for its shock effect. In CRONOS, the use of blood is somewhat muted, by comparison with Coppola and INTERVIEW anyway, but it serves as an object of obsession and desire in this unique twist on the vampire tale. Don Larsson, Mankato State U (MN) ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]