On behalf of a friend who teaches in an English department and is doing a
course on narrative theory from both a literary and a cinematic
perspective, can anyone recommend some readings
on APOCALYPSE NOW that would be useful within this context?
 
I'm assuming that he's got the literary side of things -- theory and
Conrad both -- taken care of.
 
Thanks in advance.  Feel free to e-mail me directly.
 
Alison McKee
Department of Film and Television
UCLA
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