On behalf of a friend who teaches in an English department and is doing a course on narrative theory from both a literary and a cinematic perspective, can anyone recommend some readings on APOCALYPSE NOW that would be useful within this context? I'm assuming that he's got the literary side of things -- theory and Conrad both -- taken care of. Thanks in advance. Feel free to e-mail me directly. Alison McKee Department of Film and Television UCLA [log in to unmask] ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]