In <[log in to unmask]> pam Robertson <[log in to unmask]> writes: > >I may be wrong but it seems all the examples have been related to the >visual. What about unreliable narration with respect to sound, like the >Conversation in which we hear, along with gene hackman, a certain >inflection of "He'd _kill_ us if he had the chance" which later becomes >"He'd kill _us_ if he had the chance." Silverman discusses this in _The >Acoustic Mirror_. > >pam robertson ***** Also, Blow Out, which may be DePalma's strongest film and constitutes a virtual catalog of the possibilities of image/reality alterations. Maybe De Palma came closer to his quickly abandoned youthful goal of becoming the "American Godard" than we ever realized. (Compare and contrast Videodrome in 500 words.) LT ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]