I have been following your discussion on the unreliable narrator. Actually, I am at present studying the problem of the narrator in film. If you consider for example The Age of Innocence, by Martin Scorsese, I think that the narrator's voice may be too much at some times. Comparing it to the novel, where the narrator has a very specific function, in the film it seems, or at least to me, that the camera is by itself a very important and "allmighty" narrator which makes the voice of the woman-narrator be a little bit out of place and tone. What happens with the narrator in film? Can we accept the camera as a narrator? (in comparison to the narrator in literary works)I am thinking particularly about those films, like The Age of Innocence, where you have a narrator throughout the whole film. I would appreciate any comments. Gabriela Warkentin [log in to unmask] ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]