In Alexander Dovzhenko's 1927 _Zvenyhora_ (known as Zvenigora through Russian transliteration) there are two segments which deal with Ukrainian history: one is a dream and the other one a tale told by unreliable narrator. The latter one has an original way of dealing with unreliable narration in a purely cinematic fashion. The sequence consists of superimposed images (more than three on some occasions) only one of which is in focus. The result is quite amazing. Although the viewer gets confused by the multiplicity of characters and events taking place at the same time the story of Roksana emerges from it quite clear. Bohdan Nebesio University of Alberta ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]