>Off the track of this thread, but I'm curious. We recently had a friend over >from England, and while flipping channels, we came across "A Clockwork >Orange". She said she read the book, but that the film was banned in England. >I was dumbfounded, but...? > >Anyone have any insight into this? > >Mike Mike Yes Clockwork Orange is banned in the UK - not only England. Having just come from there to New Zealand I was surprised that here you can hire the film from video stores - I had never been able to get hold of it before. It's banned, I think this is right, under the category of being termed a *video nasty*. But it seems that this was not always the case as I remember my parents going to view it at the cinema when it was originally released. The discussion of violent films has been an interesting one having done reception research on The Accused. Whilst we might view this as containing the message that no woman provokes rape, the message taken from the film by many women viewers is that women should not display their sexuality to the extent that it might be interpreted by men as 'a come on'. How do members of the Screen-L group rate this film in relation to the question 'are violent movies good'?. It seems to me that most of the debate so far is coming from an auteur approach. But what about the position of the industry context of films? C. Kay Weaver Department of Film and Television Studies, University of Waikato Hamilton, New Zealand. >---- >To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L >in the message. Problems? Contact [log in to unmask] ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]