my current favorite proto-horror theorybook is terry castle's "the female thermometer: the invention of the uncanny in the eighteenth century" - for film folks, it contains an excellent essay (originally published in, i think, "critical inquiry") on phantasmagoria shows and other spectral technologies which anticipated the development of film apparatus. very edifying. does anyone out there know of anyone who has tried to distinguish between the "gothic" and "horror" as generic categories? the obvious answer seems to be that the latter is a marketing category, but i'm more interested in considering content-based differences. Meryem ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]