----------------------------Original message---------------------------- These are just off the top of my head: "The Conversation" (Francis Ford Coppola). The entire plot revolves around the protagonist's interpretation (or MIS-intepretation) of a recorded conversation. "Blow Out" (Brian DePalma). The plot centers on a recorded SOUND (not a person's voice, but maybe that's an idea). Some of the information about Colonel Kurtz in "Apololypse Now" comes from a tape of his radio broadcasts. That's all I can think of right now. -- Kirk