----------------------------Original message---------------------------- I'm responding to two separate posts in one message. Replies to D. Hunter are first, replies to Gene Stavis second. D. Hunter said: How can one write that the films of Q.T. have no message and then state that they provide "The best view of the meaningless and arbitrary world that we all live in. I think he's touched the pulse of the 'Letterman generation' which can find humor in almost anything simply because of the realization that everything is, indeed, a joke with no meaning beyond that which we decide to give it." If this is not a message or better yet a moral stance I do not know what is! Evidently not. :) I believe Tarantino's films have shown us a very interesting slice of life, a life which fits the description I gave it as inherently 'meaningless and arbitrary.' That doesn't mean there's an intentional _message_ involved. Say you were to witness a shark eat a bunch of smaller fish who were just swimming around harmlessly minding their own business. That might just show you that the world can be pretty harsh and unfair but that doesn't mean any of the participants were attempting to convey a _message_ to you. In fact the work of Q.T. can be seen as reprensenting a very strong moral stance both in content and in structure. How? You'd have to really be stretching. You might impose YOUR OWN moral stance onto the events depicted in the film but don't go confusing that with some inherent property of the film itself. You may agree with this moral position(s) (as the antithesis of a Forrest Gump for example) but this should not be confused with the complete lack of a moral position. Also don't you think that we should take terms such as "letterman generation" or"20 something" or "gen - x" with more than a grain of salt? Definitely. I hate the term gen-x because I don't know what the hell it's supposed to mean. It's also stupid to try and describe a group of people with one term simply because they all happen to about the same age. That's why I put 'Letterman generation' in quotes. I happen to like that term myself and I use because I consider Letterman to be one of the most influential forces in the shaping of modern popular culture but clearly that is useless as an umbrella term. <stuff deleted> Cheers D. Hunter -chris Gene Stavis then said: It's quite refreshing to hear someone exempt QT's "doting fondness for the '70's" from this new definition, but it's not very convincing. <<There is no message. I guess this is similar to what I said above about no moralizing being forced in. But Tarantino has simply made movies.>> Well, of course this is the nub of the problem. The problem is the word "message". Obviously, Chris is referring to a didactic moral message when heuses the term. Perhaps you're right. The problem is with the specific terminology I used. Substitute 'morality' for message though message works better for me - we obviously employ different definitions of the word. I very definitely mean an intentional, conscious message on the part of the filmmaker rather than any message a viewer may draw from the filmmaker's work. But this is a false premise. No matter how hard you try, a film is incapable of not having a message. The very act of putting on ethical or moral blinders conveys the message that such things have no meaning. Even Michael Snow's minimalist films convey a meaning by DENYING meaning. You can't defend Tarantino on this basis. I'm not trying to defend Tarantino on any basis. I'm just explaining why I like the movie. Quentin doesn't need any defending as far as I am aware. <<Tarantino has, to this date, provided us with the best view of the meaningless and arbitrary world that we all live in. I think he's touched the pulse of the 'Letterman generation' which can find humor in almost anything simply because of the realization that everything is, indeed, a joke with no meaning beyond that which we decide to give it. I know I've been waiting for such a level-headed voice in film and I am certain his acceptance reflects that others have as well and hopefully means more will be coming along the way. Maybe this means we'll be saved in the future from sentimental crap like The Wonder Years or Forrest Gump. >> First of all, using "The Wonder Years" or "Forrest Gump" or any other film that you do not like to elevate Tarantino is senseless. It is possible to dislike obvious commercial pap AND to dislike Tarantino as well. Well, sure, that's true. I don't believe I implied otherwise. I selected those examples because I see them as the best and most recent examples of what I believe to be extreme sentimentality in works of film or television and thus the sharpest contrast to the unsentimental, stripped down Tarantinoverse. The notion that "Lettermanizing" the world is a desirable or good thing is preposterous. You say tomato, I say bananas. Why on Earth, Chris, are you bothering to respond to my post if everything is meaningless or arbitrary? Obviously, defending Tarantino is not meaningless to you. And neither were my objections arbitrary. You defeat your own premise. No, you're missing my point but that's probably my fault for being imprecise. What I am saying is that my world- view and, imho, the world-view displayed in Tarantino's films acknowledges the _inherent_ meaninglessness and randomness of the world. Therefore, the only meaning the events of the world around us can possibly are those which we decide to give them. If you want a gross generalization and simplification, just take it as "There is no absolute truth." To give a specific example, look at Jules and Vince's alternate explanations for the bullets missing them. Jules thinks it was an act of God, Vince thinks it was just blind luck. Two men at the same place and the same time witnessing the same exact event yet coming up with two completely different interpretations. Substituting a trendy neo-nihilism for balanced thought is the cop- out of the decade. Here's where I get a little annoyed. Why must you accuse me of being 'trendy' simply because you don't agree with me? I believe what I believe. I like what I like. It's not your place to judge why I like that. Just because we differ doesn't make me a mindless slave and you a glorious free thinker. And what's the cop out? That I don't understand. Like it or not, at some point you have to defend Tarantino on the issues, not by saying that everything is meaningless and arbitrary. Again, why on earth would I be trying to defend him? I'm just talkin' about what I like and why I like it. Perhaps the world is less meaningful and more arbitrary than traditional morality has allowed in the past, but that does not give you (or Letterman or Tarantino) a pass to indulge in undergraduate sophistry to justify your lack of curiosity and your philistine rejection of everything. Huh? You've obviously got a real grudge here and I dont think I have the patience to deal with it. I feel no urge to justify anything to you or anyone else. That's not intended as a rebellious statement - just a statement of fact. You got your beliefs, I got mine. Mine are better, of course, but I won't waste my time trying to convince anyone else of that. :) This is just the re-emergence of the old art vs. entertainment argument in jazzy deconstructionist clothes. I don't buy it. Don't buy what? You'll have to expand on that point (if you want to) cause I'm not sure exactly what you're saying. That the art vs. entertainment debate isn't valid at all? That you already know the answer to it? I'd appreciate if you could elucidate. Gene Stavis, School of Visual Arts - NYC -chris