----------------------------Original message---------------------------- Wheeler Dixon writes: "Although I have only been on screen-l for two days now, I am already struck by the narrowness of the discourse. Kenneth Branagh and Quentin Tarantino--please! What about Darnell Martin, Ousmane Sembene,Maria Novaro,Takehiko Nakajima,Sally Potter, Idrisa Ouedraogo,Zhang Yimou, John Collins, Jean-Isidore Isou,Ulrike Ottinger,Sarah Madoror, Yilmaz Guney, Mahama Traore,Ann Hui and many, many others whom we might discuss? Also it seems as if women and Third World filmmakers/videomakers are being marginalized in the ongoing discussion.Thoughts, comments?" I too would like to see more discussion of the above (and much more), but suspect that discussion seems limited at present because of two factors-- 1) people talk about the things that are most current--and Tarantino and Branagh are very current (expect a flood of VAMPIRE commentary soon); and (my own case, unfortunately) 2) many people have limited access and resources to the filmmakers listed above. I've seen only a handful of films by the directors named and then usually at the requirement of a round-trip of 2 1/2 ro 3 hours. Cable and video provide some relief as well, but that requires the initiative to break away from what's fed over the tube (not to mention my work desk) and browse through whatever corners of the video stores aren't being occupied by JURASSIC PARK, et al. Anyway, if people would like to say more about films EAT DRINK MAN WOMAN, BRIGHTNESS (YEELEN), ORLANDO, CAMP AT THIAROYE, or others, I'd be delighted to join. If you're discussing films I haven't seen I'll try to listen (read?) respectfully. BTW--On another thread, I'm going to be in London for a short time this week and wondered if the Museum of the Moving Image was worth seeing on such a short jaunt at the expense of more traditional tourist spots. Any comments? --Don Larsson, Mankato State U., MN