Susan Crutchfield requests: "I haven't seen Kiss Me Deadly, so could someone please tell me what the McGuffin is in that film which is so remniscent of PF's briefcase. Also, I know asking for a meaningful interpretation of a McGuffin seems a cross-purposeful question, but I'm gonna ask anyways: is the McGuffin in KMD meaningful in any way which dovetails with PF's briefcase? Would you say Pf's briefcase is a McGuffin? I wouldn't, because it seems meaningful to me beyond its role as a plot device. That something so BeauOOOOtiful plays such a pivotal role in the film (it's what the young men die for, it's what Jules devotes his last day as a repo/hit man to returning) suggests, at the very least, a quality of Wallace undeveloped in the rest of the film. I'm interpreting what's in the briefcase to be of value only for its aesthetic qualities, but perhaps that's stretching things." [SPOILERS FOLLOW] The McGuffin in KISS ME DEADLY (or "the great Whatzit," as the characters call it) is the device that everyone is after throughout the film. All we see of it at first is a box, which emits a glow and a sort of roar when opened. As Mike Hammer pursues it, he is warned off by people murmuring vaguely threatening noises like, "Trinity. Los Alamos. Do those mean anything to you?" At the end, the box is opened by Gaby Rogers, who is immolated by the glow, which develops into a nuclear devastation of Malibu. The reference seems to be there in PF, even though the glow and Whatzit seem to be beautiful rather than deadly, but that could just be Tarantino's twist on it. One doesn't have to sacrifice aesthetic qualities in a McGuffin, which could be an Object of Beauty. It is simply a description of a motivating plot device. Since the briefcase has no other specific function within the narrative, it qualifies. --Don Larsson, Mankato State U., MN