From: Tony Williams English SIUC I think you are right about the dangers of categorization and cross-over. To regard Hawks, Hitchcock and Ford as "movie-makers" as opposed to "film- makers" raises so many questions as to fill our respective cylinders even more than the prolific PULP FICTION debate. Despite Spielberg's good intentions in SCHINDLER'S LIST, he cinematically uses and abuses the Holocaust - an adolescent playing with matches as dangerous as Graham Greene's Alden Pyle in THE QUIET AMERICAN in terms of the representations he chooses in several scenes such as the suspense gimmick with the showers and the appalling voyeuristic shots of unclad female bodies. As Rod Steiger once said concerning THE PAWNBROKER, you can't starve your actors to represent actual concentration camp victims but this can not excuse Speilberg from using attractive well-fed female bodies for a gratuitous kino-eye scene.