Re. Scott Key and Denise Bryson on alternative films--Who says there aren't people on this list who are DYING to talk about alternative films? Let's talk about GO FISH. What do you think? Good filmmaking? I thought so ("alternative" isn't my forte, but I watch whenever I get the chance), though the schizoid camera work seemed only "for-the-sake-of-camera-work" after a while. I liked the talking heads, the dreamy camera-work in such scenes as Max and Ely's sex scene--or maybe I just liked the sensual way of filming sex and women's bodies. I'm curious what people think about the film's treatment of the political nature of lesbianism, both between lesbian's with different ideas of what that identity means (the "jury" scene), and between lesbians and straights (I don't even know if straightness comes up any other time than in the jury scene). The jury scene was fascinating to me in how it represented so many different points of view, placing the one I *think* the filmmakers were most sympathetic with "on trial." I found the scene sarcastic towards the jurors, at any rate, but still I felt definitions . . . . Thinking off the top of my head: the issues of the jury scene get LOST utterly. What do others think? What's the alternative film scholars' take on the film? Susan Crutchfield [log in to unmask]