Possible spoilers!!! I agree with Sylvia, TL has a lot to offer, and its good fun too! 1. Almost as if previous posters are following the post-script to TL, they have keyed in on the line misogynist (?) T. Arnold has about women, can't live with em can't shoot em...well yea, Tom's character can't shoot them, he's essentially a coward, he's a vanman, the brains to arnold's bronze, etc.... he is also "married" to Arnold S.'s character, just as bored and dysfunctionally frustrated (note his divorces and complaints of his current spouse) as pre-enlightened/awakened Jamie Lee is in the outset...recall Tom's last line of the film: "I've been in the van for 15 years" as many years as Helen and Harry have been married! Coincidence? NO. It is an important line because it is said by TOm, a man in a castrated role... 2. How about the political commentary on how we should treat domestic violence/drugs/gangs/terrorists etc? Recall the scenes when Arnold S. is taking off and landing the F-16 fighter-jet, he knocks into police cars both times as if they were mere tinker toys...Visually this is funny and stunningly effective...it makes you really wonder why are we playing "cops and robbers" with crooks, drug-dealers, terrorists, you name it, when we have such arsenal at our disposal... 3. The film really saves itself, for me, from the typical action no brainer film in its ambigous representation of fantasy-role playing...by the way, whose fantasy is this film? Arnold's, Jamie's, Tom's? I lean toward the idea that it is Jamie's fantasy...she loves her husband but wants him to be more exciting, more intriguing, less plain and above all, she wants him to be more interested in her...she wants to feel needed, and it is this desire that clinches her attraction for the wimpofake used car salesman--his patheticness, by the way, was overdone, it only serves to make Jamie's character, helen, look more wretched and lonely as she falls for such a lout... the interrogation scene, already singled out as an abuse and uncalled for, is essential, Helen finds herself in this scene, she combines brains and bronze (she tries to smash through the two way mirror and does a prety good job!) to stand up for herself and her innocence, it is the fierce reality side of her fantasy that makes it so effectual... anyone disagree, I hope so... --warren-