Reply to: RE>Psychology - and TV On Fri, 24 Jun 1994 14:16:39 CDT Robert Hanczor said: >Anyone interested in a discussion of the applicability of psychoanalysis >as a method of television criticism? Perhaps this is not the place for such a discussion, but let me make a stab at it. It happens that I am a TV producer and my lovely wife is a psychologist and we have had many discussions recently on two areas being brought up in Screen-L this past week. First off, she tells me that both television and psychology seem to suffer from what Carl Jung called a problem of familiarity. People think they know something about psychology even when they don't because it involves them directly. They think that first-hand experience counts for understanding. Television also suffers from this. People feel that they know all about television, and its effects, simply because they have experienced so much of it. Secondly, the use of archetype images and references in popular programs is growing and providing a lot of satisfaction in our home viewing. A Canadian program called "North of 60" puts a mystical slant on a few of their stories when the lead character "dreams" (in the manner aboriginal peoples mean) a series of visions. We also have enjoyed the "odd" episode of Northern Exposure (which we believe refers to the north end of a moose heading south) when it makes use of the subterranean psyche. Personally I have felt that very good interview technique in television is very closely related to very good therapeutic technique for clinical psychologists. Allowing a "guest" to explore ideas before the audience and to go into areas of their personal experiences while "guided" by a host provides some of the most fascinating and illuminating television that I have ever put to tape. I have only had one host who could perform that well with their guest. In my work as a producer of other people's messages I find that my biggest hurdles are with the client's perceptions about the capability of the medium to carry their message. This 'problem of familiarity' makes all my clients into amateur producers just as the proliferation of self-help books has promoted the notion that a person knows enough about psychology to construct their own solutions. As well, some have discussed (and Robert referred to it obliquely) the difference in the viewing experience between Film and Television. I prefer to regard the "light on" and "light through" perspective as the most enlightening of the wide range of opinions. I believe it was Marshall McLuhan who first suggested that television was tactile because of it's mosaic construction of the image and the very involving work of the visual cortex in "constructing the image" from the flying spot on the screen. This differs greatly from the flash projection of an entire photographic image in film transmission. The neurological investigations I have skimmed seem to suggest that television involves more areas of the brain in a generalised level of activity than film. Film appeals to the linear, literate, all-at-once image processing activity of the brain that goes with almost all the "visual arts". I can only assume that different psychological relationships exist between TV and its viewers and between those of film and its audiences. This also has implications on the socializing process. People more intimately involved with their TV images respond differently to the communal experience of a film. Those more intimately involved with film images tend to "view" television quite differently than they do film. As I work more in the area of media effects I learn that there are direct psychological consequences from watching films and from watching television. I wonder if this leads toward the use of psychological "principles" to analyze the content of the messages (for which I can only presume the subtlest of differences as the storytelling forms converge) or to analyze the "response" of the viewer to the experience. I much prefer the latter. That 95 million people watch OJ Simpson take a drive on the freeway is more indicative of the psychological state of the nation (to me) than what it says about live news coverage or even Mr. Simpson himself. Literary criticism has contributed much toward the analysis of film and film style. I believe that the "form" of television requires that it be analyzed through the disciplines of anthropology, medicine, and semiotics instead of through psychology or psychiatry. I see television as the tribal fire around which we gather to hear the myths of our age. To the extent that these stories have roots in the psyche of the tribe makes them no more permeable than film stories. Dave Trautman TV Producer, Instructional Technology Centre Faculty of Education, University of Alberta Edmonton, Alberta, Canada [log in to unmask]