For those interested in the supposedly disproportionate "popularity" of movies in the South and its influence on Hollywood, see Thomas Cripps, "The Myth of the Southern Box Office: A Factor in Racial Sterotyping in American Movies, 1920-1940," in _The Black Experience in America_, ed., James C. Curtis and Louis Gould (Austin: UT Press, 1971). The title says a great deal. Also, its important to remember that southerners were well represented, at least in the 30s, in the Hays Office. Arthur