On Fri, 10 Jun 1994, Sylvia Swift wrote:
> _Visions of Light_ has a segment on _Raging Bull_ in which they talk
> Does anyone remember the moment in Hitchcock's _Marnie_ when the screen
> goes red?  How is that effect achieved?
It may have been imagined, but I thought Paul Schrader faded to grey
throughout _American Gigolo_ as a comment on moral ambiguity and leading
up to his inevitable state(ment) of grace, a la Ozu.  Does anyone else
recall this as happening?
And, I've been trying to remember the name of a Raul Ruiz film that was
shown at the Chicago Film Festival two years ago.  I saw it the same
night as Visions of Light and it may have had Light or Day or Night in
the title.  It was set in a town continuously filled with floating
appearances of saints and a factory of prosthetic limbs.