A mid-'forties Hitchcock film (NOTORIOUS?) was completely in black and white with the exception of a single color frame of the muzzle of a gun as a shot was fired during a climactic moment. As I remember, the frame was edited into each release print. Of course, subsequent 16mm prints did not include this single frame in color. Did it matter? Well, it all depends on what one considers "important." I wonder whether subsequent prints of SCHINDLER'S LIST will show the girl with a red coat. My guess is not. What will the next generation of film scholars make of that sequence? ------------------------------------------------------------------- Cal Pryluck, Radio-Television-Film, Temple University, Philadelphia <[log in to unmask]> <[log in to unmask]>