Thanks to Jeremy Butler for his gentle correctives to my hasty note, for "rehabilitating" Dovzhenko and rightly questioning the loose application of "feminist" to Bed and Sofa. I do think the film has been overlooked, though. Yes, there are filmmakers and academics who know the film, and it's been used in courses, but I think Eisenstein, Pudovkin, Vertov and a few others continue to take up 90% of textbook space and screen time in film courses when the topic is Soviet film in the twenties. And Bed and Sofa is a film that I find many film students and film lovers are surprised and intrigued to hear about. Robert