Marlon Riggs was in Philadelphia for a public television producers' conference
called INPUT '88 and he showed his "prequel" to "Color Adjustment" called
"Ethnic Notions." He told me how much trouble he had securing funding for
"Color" because it dealt with much more current ethnic stereotyping on
television rather than the more historically contained stereotypes shown in
"Ethnic Notions."
Bill Mikulak
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