Several years ago, the Museum of Fine Arts organized a big retrospective of Robert Frank's work as a photographer, filmmaker and videomaker. It was titled Robert Frank: New York to Nova Scotia -- which is also the title of quite a handsome catalogue that accompanied the exhibition. At the time, I spoke with someone at the museum, and I recall that he told me Frank had donated/sold an extensive amount of his work to the museum, including his films and videotapes, and I vaguely remember some suggestion that they prints might circulate from the museum. I could be wrong, though, and they might hold them as artefacts, for specialized consultation or exhibition only. Among the holdings, as part of this show, was a mint-condition print of Pull My Daisy that Frank had had somewhere since the film was made. The newly discovered print was used to make another, since I believe the negative was destroyed in a fire, and that print was shown in New York at Film Forum, as part of a series of Beat and Beatnik films a few years ago. The story about Cocksucker Blues, as I understand it, was that Frank had been commissioned by the Stones to make a documentary about the 1972 tour, and disapproved of what he produced. As a result of court action (I don't recall details of the dispute, over ownership and rights, for instance), the film could be shown only three or four times per year, and Frank had to be present at the screening. (In other words, he couldn't distribute it, really.) The Stones disapproved of the explicitness of sequences depicting sex and drug use, according to accounts. They did use a few, brief sequences in a video documentary chronicling their career -- I can't remember the title, though I think it's something like 20 x 5, as in 20 years times 5 Rolling Stones. I haven't checked, but New Yorker Films has been for many years the distributor of Pull My Daisy Good luck. Blaine Allan [log in to unmask] Film Studies Queen's University Kingston, Ontario Canada K7L 3N6