A book I thought y'all might be interested in. One of our subscribers, Harvey Greenberg is writing as good psychiatric criticism of movies as there is. --Norm Holland SCREEN MEMORIES: HOLLYWOOD CINEMA ON THE PSYCHOANALYTIC COUCH by Harvey Roy Greenberg SCREEN MEMORIES: Hollywood Cinema on the Psychoanalytic Couch delves into the psychological aspects of mainstream American movies from CASABLANCA to ENEMIES: A LOVE STORY. Much psycho- analytic film criticism is dryly theoretical. Greenberg writes in a candid, entertaining style which will appeal to cineasts and scholars alike. Greenberg begins with a comprehensive overview of the field. He then directs his focus on character, motivation, and conflict in detective, war, science fiction and horror movies, as well as cult cinema. The author addresses problems of adaptation in an essay on THE BOSTONIANS, novel and film. In the realm of cultural criticism, "On the McMovie" probes the hollow, escapist fare which emerged from Hollywood in the 1980s and 1980s, embrac- ing nearly every genre. Greenberg zooms in on the pathological narcissism of heroes in McMovies such as Rambo and Top Gun. In a consideration of ALWAYS, Steven Spielberg's ill-fated rehash of Victor Flemining's A GUY NAMED JOE, Greenberg analyzes the Oedipal dynamic which may be latent in the remaking process. SCREEN MEMORIES concludes by addressing two important films of the late 1980s. Greenberg describes Working Girl as an exemplary "Co-opt" film with a seemingly liberal agenda, which mocks and subverts very social advances it would seem to affirm. Enemies: A Love Story -- with its humor, manic energy, and theme of renewal in the very teeth of death -- is seen as evidence of a tentative, but hopeful return to quality in Hollywood. Harvey Roy Greenberg, M.D. is a Manhattan psychiatrist and psy- choanalyst. He is a Clinical Professor of Psychiatry at the Albert Einstein College of Medicine, where he teaches adolescent psychiatry and medical humanities. He has written widely on cinema, in The New York Times Sunday Arts and Leisure Section, Tikkun, Movieline, Camera Obscura, Psychoanalytic Review, and Film Quarterly. His television appearances include Today, Good Morning America, Larry King Live, and CBS Sunday. He is the film critic of the Psychiatric Times, author of a pioneering psycho- analytic study of cinema, THE MOVIES ON YOUR MIND, as well as several highly regarded books for teenagers on drung abuse, adolescent and family mental health issues. "Harvey Greenberg brings a unique and important voice to psycho- analytically based film theory and criticism. He possesses the unusual combination of clinical psychiatric experience, a broad knowledge of film theory, and a writing style that reveals the flair of an accomplished journalist; his work is accessible, informed, and substantial. SCREEN MEMORIES is an insightful engagement of contemporary psychoanalytic film discourse." --William Luhr, Saint Peter's College "Deft, mordant, frolicsome, SCREEN MEMORIES delivers on its pledge to be entertaining as well as instructive." --Ellen Handler Spitz, author, IMAGE AND INSIGHT "Movies are a collective dream, a way of dreaming together; Har- vey Greenberg's criticism is like dream interpretation, full of bright new insight. He is fresh, funny, tough, holding all of us who make movies accountable to rigorous standards of emotional truth and social responsibility...We must listen to this man." --Frank Pierson, Screenwriter, DOG DAY AFTERNOON SCREEN MEMORIES delves into the psychological aspects of film characters in mainstream movies ranging from CASABLANCA to WORK- ING GIRL. Greenberg writes in a candid and entertaining style as fun and convincing as the movies themselves. +===================================================================+ | Norm Holland Department of English | | University of Florida Gainesville FL 32611 Tel: (904) 377-0096 | | BITNET: nnh@nervm INTERNET: [log in to unmask] | +===================================================================+