In response to Jay Ruby's request for use of documentary or documentary-style footage in fiction films - This semester I've been teaching a course on PostWar European films, which are rife with documentary-looking footage. Starting with the Italian Neo-Realist "The Bicycle Thief" with lots of Rome street scenes, street scenes in French New Wave (e.g., "400 Blows"), look at Werner Herzog's work in German Neue Kino ("Aguirre: The Wrath of God" enacts a trip down a river in South America) and Tony Richardson's "Tom Jones," for lots of shakey-camera, swish pans, all that sixties era stuff. Cheers, Paul Younghouse Paul Younghouse || Dept. of Communication || "All cruelty springs from weakness." Indiana State University || -- Seneca [log in to unmask] ||