I am currently working on a book about the performance editions of Shakespeare's *Twelfth Night*, including a chapter on the videotexts of the play. Since one of the films I am working with is a 1955 Russian film and two are tele- vision rather than film productions, I need any references you folks could supply for either film practices in different countries--to what extent are they influenced by Hollywood practices? What about the "ordinary" as opposed to avant-gard Russian films?-- OR some solid theoretical work on the important differences between video and film production. Any ideas? Laurie E. Osborne [log in to unmask] You can't get theyre from heyre.