Sharing the dismay with other film scholars over colorization, I nevertheless found the arguments about the service Turner is actually doing the film community in terms of preservation interesting. I have a very naive question in this connection: If you turn your color saturation knob all the way down while watching a colorized b/w movie, will you then, in effect, be looking more or less at the "original"? Bjorn Sorenssen University of Trondheim, Norway