----------------------------Original message---------------------------- Interestingly enough, and coinciding quite well with this conversation, I just saw Atom Egoyan's _Family Viewing_ this past weekend. It's a somewhat bizarre story that is also an incredible study of and comment on video in our society. This happens on several different levels, which makes it all the more ingenious. As well as the overt comments on video in the story itself (the father works for a video store franchiser, the grandmother is virtually catonic and does nothing but watch televison, the father videotapes sex scenes with his second wife over the tapes of his first wife and son's early childhood, much to the dismay of the son, when the father hires a private detective the detective uses video surveillance, and yes this is as strange as it sounds!) there are also many references in the cinematography. The film was shot entirely in a 4:3 aspect ratio, and all of the apartment interior scenes, as well as several others, were shot on video. Unfortunately, I seem to be swiftly becoming incoherent and even under the best of circumstances I doubt I could even begin to explain this film. If anybody else out there has seen it, I would love to discuss it. If you have not seen it, I urge you to see it as soon as possible! (I can probably dig up a distributor for it if anybody is interested. It is much better to see it on film than video, of course, becuase it is much more obvious which scenes were shot on video and which were shot on film.) cjs -- | "It is actually a feature of UUCP that the map of [log in to unmask] | all systems in the network is not known anywhere." [log in to unmask] | --Berkeley Mail Reference Manual (Kurt Schoens)