GUEST EDITED by OUTGOING EDITOR-IN-CHIEF MARIA SAN FILIPPO
and SARAH LOUISE SMYTH & STEFANIA MARGHITU

 

 


Dear NRFTS Readers, 
 

Greetings, we hope this finds you well. It’s our pleasure to announce the publication of our Spring 2024 (vol. 22.1) Special Issue (“Feminist Film/Media Now”) guest edited by outgoing Editor-in-Chief Maria San Filippo, and Special Dossier (“Women’s Authorship and Adaptation in Contemporary Television”) guest edited by Sarah Louise Smyth & Stefania Marghitu and featuring an open access roundtable moderated by Smyth. More exciting yet, this feast of feminist media scholarship features five open access articles plus free access guest editor introductions. Please see the Table of Contents for article abstracts as well as a list of book reviews. Scroll down for highlights or click here for excerpts and blurbs.

We’re delighted to introduce as our newest member of the editorial team Geneveieve Newman, who will be overseeing our blog and social media operations in the role of Online Editor, as Max Bledstein steps into the newly created position of Associate Editor. We’re also pleased to welcome M. Sellers Johnson into his new role as Book Reviews Editor, replacing Matt Connolly as he takes the reins as Editor-in-Chief.

For those headed to the 2024 SCMS Conference in Boston, we're co-hosting an off-site event on Thursday, March 14 at Emerson College's Paramount Center (559 Washington St.). Starting at 6pm we'll screen 2022 action-horror film Slash/Back followed by a remote Q&A with filmmaker Nyla Innuksuk, and after 9pm we'll reconvene for a reception at nearby venue Shojo (9A Tyler St.)  Please join us for complimentary dessert in honor of our 20th birthday and to enjoy some celebratory camaraderie!

Yet another felicitous announcement: the 2023 SCMS Queer & Trans Caucus Chris Holmlund Graduate Student Writing Prize has been awarded to Adin Walker (PhD candidate, Performance Studies, Stanford University), whose article “Flowers, Concrete, Water: Care and Precarity in Tsai Ming-liang’s I Don’t Want to Sleep Alone (2006)”  will be published in our Summer 2024 issue (vol. 22.2). Congratulations Adin!

For latest news and content, follow us on our social media accounts and subscribe to our newsletter via the buttons below. We invite article submissions through our journal 
website, where guidelines for authors can be found.

Read on for tantalizing tidbits from the Special Issue/Dossier and a round-up of recent features on the open access
NRFTS Blog. We welcome your pitches/proposals for contributions at [log in to unmask].

May the feminist force be with you!


Matt Connolly • Editor-in-Chief 
Max Bledstein • Associate Editor
M. Sellers Johnson • Book Reviews Editor
Geneveive Newman • Online Editor

Maria San Filippo, Sarah Louise Smyth, Stefania Marghitu • Guest Editors

 


Diana W. Anselmo on early film fangirls as gleaned through archival scrapbooks, plus Anselmo in conversation with Maggie Hennefeld on the NRFTS Podcast
 
Anna Siomopoulos on battling between the sexes in My Man Godfrey

Emily Naser-Hall on weaponizing women's labor in Cold War-era domestic sitcoms, plus a tie-in blog post revisiting I Love Lucy

Leung Wing Fai on cinematic excess and gender politics in Japanese women-in-prison films (OPEN ACCESS) 

Kornelia Boczkowska considers women walking in experimental film, with further perambulations in her tie-in blog post

Matthew Robinson on the female underdogs of sports films

Fabienne Collignon on insectile imagery-as-Other in Under the Skin

Jerome P. Dent, Jr. deep-dives into the fantasies of Black Final Girls

Cristina Ruiz-Poveda Vera investigates animalistic teen girls in contemporary European cinema

Marzena Keating & Joanna Lapinska on screen scatology (OPEN ACCESS) 

Janet Bergstrom on the intricacies and intimacies of Kelly Reichardt films
 

 

Special Dossier:

 

 


Jessica Ford on revising dead girl stories in HBO's Sharp Objects 

Sarah Louise Smyth on Reese Witherspoon's popular feminism in Big Little Lies (OPEN ACCESS)

Shelley Cobb on women-centric collaboration in adapting Little Fires Everywhere (OPEN ACCESS)

Tanya Horeck investigates #MeToo-era true crime in I'll Be Gone in the Dark

Karim Townsend on neoliberal mothering in Enlightened

Eve Bennett on gender and radicalisation in Agents of S.H.I.E.L.D.
 

 

 

Women’s Adaptation and Authorship in Contemporary Television
(OPEN ACCESS)

Moderator: Sarah Louise Smyth (University of Essex)

Participants: Elizabeth Alsop (City University New York), Jacqueline Johnson (University of Southern California), Stefania Marghitu (University of Alabama), Isabel C. Pinedo (Hunter College), Theresa Trimmel (University of Bristol)

 

Júlia Irion Martins on Woman Up: Invoking Feminism in Quality Television by Julia Havas 

Maureen Mauk on Annie Berke’s Their Own Best Creations: Women Writers in Postwar Television

Emma Radley on Screening Contemporary Irish Fiction and Drama, edited by Marc C. Conner, Julie Grossman, and R. Barton Palmer

 

 

 


Katrin Horn converses with Barbara Jane Brickman, author of Suffering Sappho!: Lesbian Camp in American Popular Culture

Suzanne Leonard reflects on 2023's Fatal Attraction reboot

Matt Boyd Smith interviews Penny Dreadful and Adaptation editors Julie Grossman and Will Scheibel 

Maya Montañez Smukler talks to Alicia Kozma, author of The Cinema of Stephanie Rothman: Radical Acts in Filmmaking

Matthew Sorrento reviews John Stangeland's  Aline MacMahon: Hollywood, the Blacklist, and the Birth of Method Acting

Ken Stuart reviews Hannah Strong's Sofia Coppola: Forever Young

 

 

 

 

 

 

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