*apologies for cross-posting* Dear Colleagues, It is our pleasure to announce the publication of our (expanded!) volume 19, issue 4, featuring these articles: Outside and Inside the Time Machines: Structure and Subjectivity in Alain Resnais's *Je t'aime, je t'aime* *Jackson B. Smith* Commodity Horror: *Videodrome *and the Industrialisation of Canadian Culture *Harry Warwick* What Is Not Real Can Be Felt into Being: Affective Threat in Jordan Peele’s *Get Out* *Emma Train* From the Extraordinary to the Everyday: Discourses on American Quality Serial Television in Sweden’s Leading Newspapers and the Breakthrough of Streaming TV [Open Access] *Joel Frykholm* Hidden in Plain Sight: The Spatial and Industrial Logics of Home Fitness Technologies *Peter Arne Johnson* *First Prize, 2021 Society for Cinema and Media Studies TV SIG Graduate Essay Contest* “Englishmen Could Be Proud Then, George”: Echoes of Empire in *Tinker Tailor Soldier Spy* (BBC 1979) [Open Access] *Philip Kiszely* The Filmmaker’s Presence in French Contemporary Autofiction: from *Filmeur/Filmeuse* to *Acteur/Actrice* *Lourdes Monterrubio Ibañez* No Longer “As Crappy as Possible”?: Cult Sensibilities and the High-Definition Revisioning and “Unbleeping” of Early Seasons of *South Park* *David McGowan* See the Table of Contents for article abstracts, as well as new book reviews by Tom Fallows, Mani Sharpe, and Surya Prakash Verma: https://www.tandfonline.com/toc/rfts20/current We’re also delighted to announce the winners (in a tie) of the 2021 SCMS Queer & Trans Caucus Chris Holmlund Graduate Student Writing Prize: *Joshua Bastian Cole *(PhD candidate, Performing & Media Arts, Cornell University), “The Prosthetic Gaze: Re-visions on the Trans Mirror Scene” *Sean Donovan *(PhD candidate, Film, Television, & Media, University of Michigan), “In the Corporate Rainbow: OutFest and the Politics of Programming Queer Affect” Both winning articles will be published in the Summer 2022 issue. Congratulations to the winners and thanks to our co-sponsors the SCMS Queer and Trans Caucus and to all who submitted. Also enjoy these latest contributions to the *NRFTS* blog: Dominic Lash, Failures of Redescription in *The Rules of the Game* https://nrftsjournal.org/failures-of-redescription/ Philip Kiszely, Chasing Down Melancholia: Some Reflections on Writing about the Treatment of Empire in *Tinker Tailor Soldier Spy* (1979) https://nrftsjournal.org/chasing-down-melancholia/ David McGowan, “The Pandemic Special”: *South Park*’s Response to Covid https://nrftsjournal.org/the-pandemic-special/ Cinta Pelejà, On *The Process Genre*: An Interview with Salomé Aguilera Skvirsky https://nrftsjournal.org/on-the-process-genre/ Vik Verplanken, Cinema and Subversion: Exploring the Ontologically Subversive Potential of Psychedelic Cinema https://nrftsjournal.org/cinema-and-subversion/ Please bookmark the *NRFTS* Blog URL https://nrftsjournal.org/, and we welcome your pitches/proposals for contributions at [log in to unmask] And please save the date for our *NRFTS* Editors Meet ’n Greet at the 2022 SCMS Conference: *2:00-3:00 pm CT on Friday, April 1 * More info, and Zoom link, to come! For latest news and promotions, please follow us on Twitter @NRFTSJournal <https://twitter.com/NRFTSJournal> and Instagram nrftsjournal <https://www.instagram.com/nrftsjournal/>. We welcome article submissions through our journal website (https://www.tandfonline.com/journals/rfts), where guidelines for authors can be found. Kind regards, Maria San Filippo Editor -- *New Review of Film and Television Studies <https://www.tandfonline.com/toc/rfts20/current>* *NRFTS* Blog <https://nrftsjournal.org/> * <http://www.mariasanfilippo.net>[image: https://twitter.com/cinemariasf] <https://twitter.com/NRFTSJournal> <https://www.instagram.com/nrftsjournal/>* ---- For past messages, visit the Screen-L Archives: https://listserv.ua.edu/archives/screen-l.html