A new issue of *Flow* is live! The journal is proud to announce the publication of issue 26.04. We are excited to have contributions from authors Laurel Westrup, Jennifer Hessler, Danielle Williams, Taylor Cole Miller, Kit Hughes, Ryan Stoldt, and Katherine E. Morrissey. Please see below for more details about the authors' respective columns. As always, be sure to join the conversation at www.flowjournal.org or on Twitter using #FlowJournal26 <https://twitter.com/hashtag/FlowJournal26>. Laurel Westrup, "Synchronizing Creatives in Music Video Production" <https://www.flowjournal.org/2020/02/music-video-production/> // Laurel Westrup examines the partnerships and production constraints of various music videos to illustrate its collaborative creative labor. Jennifer Hessler, "The Reflexivity of Rigged Ratings: Nielsen in Our Cultural Memory" <https://www.flowjournal.org/2020/02/reflexivity-of-rigged-ratings/> // Jennifer Hessler discusses how television’s recurring trope of rigged ratings has shaped our cultural memory of Nielsen. Danielle Williams, "Mr. Sandler Goes to Netflix" <https://www.flowjournal.org/2020/02/sandler-netflix/> // According to Netflix, Adam Sandler dominated the platform in 2019. Danielle Williams breaks down his success by looking at the numbers. Taylor Cole Miller, "Syndication 202: Make Reruns Great Again" <https://www.flowjournal.org/2020/02/syndication-202/> // The second installment of his three-part series sees Taylor Miller consider the implications of edits made to syndicated TV programs on their textuality and reception. Kit Hughes, "Kids and Cable: Teaching Regulatory Circumvention" <https://www.flowjournal.org/2020/02/kids-and-cable/> // Kit Hughes explores the cable industry’s dual missions to uphold quality programming for children while pushing for deregulation. Ryan Stoldt, "Interactive Television as a Cultural Forum: Storytelling and Meaning-Making in Black Mirror: Bandersnatch" <https://www.flowjournal.org/2020/02/interactive-television-as-a-cultural-forum/> // Interrogating audiences’ ability to share ideological interpretations of interactive texts, Ryan Stoldt argues people’s cultural tastes impact the range of questions they will encounter through interactive texts. Katherine E. Morrissey, "From Crazy Rich Asians to Netflix: The 'Rebirth' of Romantic Comedies, pt. 2" <https://www.flowjournal.org/2020/02/from-crazy-rich-asians-to-netflix/> // Katherine E. Morrissey explores how the recent successes (and failures) of Crazy Rich Asians and To All The Boys I’ve Loved Before illustrate two emerging distribution strategies for rom-coms within the increasingly global media market. *Flow* is a critical forum on media and culture published by the Department of Radio, Television, and Film <http://rtf.utexas.edu/> at the University of Texas at Austin <http://www.utexas.edu/>. *Flow*'s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media. For more information: Facebook <https://www.facebook.com/FlowTV> / Twitter <https://twitter.com/FlowTV> Previous Issue <http://www.flowjournal.org/archives/volume-26/26-01/> / Search *Flow* <http://flowjournal.org/?s=> / Email the editors <[log in to unmask]> ---- Online resources for film/TV studies may be found at ScreenSite http://www.ScreenSite.org