1. Appointment of a Chief General Editor: Studies in French Cinema 2. New General Editor: Studies in French Cinema 3. Recent pre-published articles 4. New books ********************************************* 1. Appointment of a Chief General Editor: Studies in French Cinema I will be stepping down as Chief General Editor of Studies in French Cinema at the twentieth anniversary conference of the journal in the summer of 2020. In a change from the previous announcement, Routledge has agreed that the post could be shared by a senior colleague and a more junior colleague. Colleagues who wish to apply for the post, which is tenable for five years, should contact me for a candidate pack ([log in to unmask]<mailto:[log in to unmask]>). It is expected that the successful candidates will be Anglophone with a near-native command of French, and experienced researchers in French/Francophone cinema studies. Closing date for applications is 31 December 2017. For more journal information, please visit www.tandfonline.com/rsfc. ********************************************* 2. New General Editor: Studies in French Cinema Kelley Conway has stepped down as one of the journal’s General Editors. On behalf of our community of scholars, I would like to thank Kelley for over two years of sterling work for the journal. Mary Harrod (University of Warwick) has joined the General Editor team. ********************************************* 3. Recent pre-published articles Emilija Talijan, ‘Les petits bruits’: little noises and lower volumes in Catherine Breillat’sRomance (1999) and Anatomie de l’enfer (2004) James S. Williams, Neoliberal violence and aesthetic resistance in Abderrahmane Sissako’s Bamako (2006) We have also published a dossier on Jean Rouch to coincide with the Rouch anniversary celebrations. This will eventually form part of a special issue on documentary: Jamie Berthe, Disruptive forms: the cinema of Jean Rouch Laure Astourian, Jean Rouch’s Moi, un Noir in the French New Wave Jamie Berthe, Beyond the entomological critique: re-thinking Rouch and African cinema Sam Di Iorio, Paint tubes: cinéma vérité as representation ********************************************* 3. New books Caillé, Patricia and Claude Forest, eds. 2017. Regarder des films en Afriques. Lille: Presses universitaires du Septentrion. http://www.septentrion.com/fr/livre/?GCOI=27574100449100 Cousin, Jeanne. 2017. Histoire du cinema en Guinée depuis 1958. Paris: L’Harmattan. http://www.editions-harmattan.fr/index.asp?navig=catalogue&obj=livre&isbn=978-2-343-12043-0&utm_source=phplist&utm_campaign=message_21653&utm_medium=email&utm_content=lienTitre De Vita, Philippe. 2017. Penser vers l’autre: Godard en entretien. Paris: L’Harmattan. http://www.editions-harmattan.fr/index.asp?navig=catalogue&obj=livre&isbn=978-2-343-12761-3&utm_source=phplist&utm_campaign=message_21653&utm_medium=email&utm_content=lienTitre Hamery, Roxane. 2017. Ténèbres empoisonnées? Cinéma, jeunesse et délinquance de la Libération aux années 1960. Paris: AFHRC. http://www.afrhc.fr/2017/11/tenebres-empoisonnees-cinema-jeunesse-et-delinquance-de-la-liberation-aux-annees-1960-2/ Rossi, Jérôme, ed. 2016. La Musique de film en France: courants, spécificités, évolutions. Lyon: Symétrie. https://symetrie.com/fr/titres/musique-de-film-en-france Roudé, Catherine. 2017. Le Cinéma militant à l’heure des collectifs: Slon et Iskra dans la France de l’après-1968. Rennes: Presses universitaires de Rennes. http://www.pur-editions.fr/detail.php?idOuv=4501&utm_source=parution-le-cinema-militant-a-l%E2-heure-des-collectifs&utm_medium=e-mail&utm_content=notice&utm_campaign=outil-de-diffusion Souillés-Debats, Léo. 2017. La Culture cinématographique du mouvement ciné-club: une histoire de cinéphilies (1944-1999). Paris: AFRHC. http://www.afrhc.fr/2017/09/la-culture-cinematographique-du-mouvement-cine-club-une-histoire-de-cinephilies-1944-1999/ _____________________________________________________ Phil Powrie Professor of Cinema Studies Lewis Carroll Building 27AC05 School of Literature and Languages University of Surrey GU2 7XH T: 01483 682980 E: [log in to unmask]<mailto:[log in to unmask]> W: http://www.surrey.ac.uk/fahs/people/phil_powrie/index.htm Programme Leader Liberal Arts and Sciences Chief General Editor Studies in French Cinema: http://www.tandfonline.com/action/journalInformation?show=aimsScope&journalCode=rsfc20 _____________________________________________________ ---- For past messages, visit the Screen-L Archives: https://listserv.ua.edu/archives/screen-l.html