Dear Screen L participants, I’m writing to mention some new work in audiovisual studies, and request leads for materials. Audiovisual studies appear to be expanding (the American Musicological Association <http://www.ams-net.org/> just added an interest group on the topic, for example). Music-video scholarship too may be undergoing a resurgence. Rutgers U Press recently published Steve Shaviro’s Digital Music Videos <https://www.amazon.com/Digital-Music-Videos-Quick-Takes/dp/0813579538/ref=sr_1_5?ie=UTF8&qid=1497920408&sr=8-5&keywords=Shaviro> (and I think would be happy to see receive some reviews). Bloomsbury's collection Music/Video <http://www.bloomsbury.com/uk/musicvideo-9781501313929/> will be available this August. Holly Rogers, Lisa Perrott, and and I are editing a series for Bloomsbury called New Approaches to Sound, Music, and Media. My article "Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video," <http://quod.lib.umich.edu/f/fc/13761232.0041.105?view=text;rgn=main> in Film Criticism, attempts to sketch the history of the genre. I’m contributing a chapter on fake news and audiovisual media for a forthcoming collection. I'd be grateful if you'd forward any links, particularly to politically-engaged work. James Buhler and I are assembling a collection on cyberfilms, biometrics, big data, and AI. If you’re interested in participating, especially using quantitative approaches, please send me a note of interest. Best wishes, Carol Carol Vernallis, Ph.D. Music Department Stanford University Stanford, CA 94305 [log in to unmask] ---- For past messages, visit the Screen-L Archives: https://listserv.ua.edu/archives/screen-l.html