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CFP: Videographic Approaches to World Cinema and Transnational Circulation
Society for Cinema and Media Studies Conference, Chicago, March 22-26, 2017

This panel seeks works of videographic criticism (or papers that address methodological and/or theoretical questions about this [new] form of scholarship) that look beyond the “text itself” to explore broader industrial questions about the processes through which films circulate. The videographic mode opens up rhetorical possibilities often unattainable via traditional modes of scholarship. Although it has been used overwhelmingly for—and is well suited to—close textual analysis, it simultaneously offers intriguing possibilities/challenges for explorations of other aspects of film culture such as exhibition, distribution, audience reception, and so on.

We are especially interested in proposals that address transnational circulation and/or issues related to World Cinema. Possible topics include:

Distribution
Exhibition
Promotion (trailers, posters, etc.) and Branding
Paratexts (including opening titles, DVD packaging, making-of docs, etc.)
Film reviewing/criticism
Film Festivals
Subtitles, Dubbing and Translation
DVDs and streaming platforms
Celebrity/red carpet/awards shows
Audiences/fandom/fan vids
Social media (Youtube, Instagram, Vine, etc.)
Piracy and copyright
 

Please submit a 300-word abstract and brief bio to David Richler <[log in to unmask]> and Michael Talbott  <[log in to unmask]> by Friday, August 12.

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