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Expressionism and Film
Rudolf Kurtz

"Expressionismus und Film is, without question, a seminal and an influential study, a monograph that has strongly impacted the essential works on classical German cinema, but, to this day, has remained inaccessible to English-language readers. I know that scholars, students, and cineastes will be very pleased to have this book available in a translation." -Eric Rentschler, Arthur Kingsley Porter Professor of Germanic Languages and Literatures at Harvard University

"Expressionismus und Film is a key text, the only book written on German Expressionist cinema during the era. Because Kurtz had access to filmmakers and to artists and critics in other fields, the volumeis something of a primary document itself rather than simply a monograph by a scholar or journalist. Of the German books on cinema written during the silent period, this is the one most obviously crying out for translation." -Kristin Thompson, Honorary Fellow, Department of Communication Arts at the University of Wisconsin

Expressionism and Film, originally published in German in 1926, is not only a classic of film history, but also an important work from the early phase of modern media history. Written with analytical brilliance and historical vision by a well-known contemporary of the expressionist movement, it captures Expressionism at the time of its impending conclusion-as an intersection of world view, resoluteness of form, and medial transition. Though one of the most frequently-cited works of Weimar culture, Kurtz's groundbreaking work, which is on a par with Siegfried Kracauer's From Caligari to Hitler and Lotte Eisner's The Haunted Screen, has never been published in English. Its relevance and historical contexts are analyzed in a concise afterword by the Swiss scholars Christian Kiening and Ulrich Johannes Beil.

Rudolf Kurtz (1884-1960) was a leading participant in the German Expressionist movement, contributing a multitude of essays, lampoons, reviews, and commentaries. From 1914 until his death he worked in the film industry, writing scripts and directing his own movies.
Christian Kiening is Professor of Germanic Studies at the University of Zurich, Director of the National Competence Centre for Research Mediality, and co-editor of Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte.
Ulrich Johannes Beil is Privatdozent at the University of Munich and Senior Researcher at the National Competence Centre for Research Mediality at the University of Zurich.
Brenda Benthien is an independent film scholar and critic. Her work has appeared in Variety,Filmecho/Filmwoche, the Berlin Film Festival Journal, and other publications.


Indiana University Press
March 2016 250pp 5 color illus., 85 b&w illus. 9780861967186 PB £26.99 now only £21.59* when you quote CSL416EAFL when you order
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