Screen Volume 57, Number 1 – Table of Contents *With apologies for cross posting* View the full Table of Contents at http://bit.ly/1V3dnOj ARTICLES The digital uncanny and ghost effects by Kriss Ravetto-Biagioli Film, landscape and political aesthetics: Deseret by Sean Cubitt Networked selves: Ryan Trecartin and Lizzie Fitch’s postcinematic aesthetics by Lisa Åkervall Mediality, materiality, narrative: successive incarnations of a special effect in Vanishing Point and Death Proof by Caroline Bem THE STEPHEN DWOSKIN DOSSIER The Stephen Dwoskin dossier: Introduction by Rachel Garfield Dwoskin, centripetal and centrifugal by Adrian Martin Ballet Black by Lucy Reynolds The lonely crowd: Dwoskin, Durgnat and the London Film-Makers’ Co-op by Henry K. Miller To independent filmmakers: Stephen Dwoskin and ‘the international free cinema’ by Dan Kidner REVIEWS Caetlin Benson-Allott, Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File Sharing. Reviewed by Allison Whitney Duncan Petrie and Rod Stoneman, Educating Film-makers Past, Present and Future. Reviewed by Christine Geraghty Cynthia Tomkins, Experimental Latin American Cinema: History and Aesthetics. Reviewed by Sarah Barrow James Tweedie, The Age of New Waves: Art Cinema and the Staging of Globalization. Reviewed by Jun Okada View the full Table of Contents at http://bit.ly/1V3dnOj -- Oxford University Press (UK) Disclaimer This message is confidential. You should not copy it or disclose its contents to anyone. You may use and apply the information for the intended purpose only. OUP does not accept legal responsibility for the contents of this message. Any views or opinions presented are those of the author only and not of OUP. If this email has come to you in error, please delete it, along with any attachments. Please note that OUP may intercept incoming and outgoing email communications. ---- Online resources for film/TV studies may be found at ScreenSite http://www.ScreenSite.org