Screen Volume 57, Number 1 – Table of Contents
*With apologies for cross posting*
View the full Table of Contents at http://bit.ly/1V3dnOj

ARTICLES
The digital uncanny and ghost effects
by Kriss Ravetto-Biagioli
Film, landscape and political aesthetics: Deseret
by Sean Cubitt
Networked selves: Ryan Trecartin and Lizzie Fitch’s postcinematic aesthetics
by Lisa Åkervall
Mediality, materiality, narrative: successive incarnations of a special effect in Vanishing Point and Death Proof
by Caroline Bem

THE STEPHEN DWOSKIN DOSSIER
The Stephen Dwoskin dossier: Introduction
by Rachel Garfield
Dwoskin, centripetal and centrifugal
by Adrian Martin
Ballet Black 
by Lucy Reynolds
The lonely crowd: Dwoskin, Durgnat and the London Film-Makers’ Co-op
by Henry K. Miller
To independent filmmakers: Stephen Dwoskin and ‘the international free cinema’
by Dan Kidner

REVIEWS
Caetlin Benson-Allott, Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File Sharing.
Reviewed by Allison Whitney
Duncan Petrie and Rod Stoneman, Educating Film-makers Past, Present and Future.
Reviewed by Christine Geraghty
Cynthia Tomkins, Experimental Latin American Cinema: History and Aesthetics.
Reviewed by Sarah Barrow
James Tweedie, The Age of New Waves: Art Cinema and the Staging of Globalization.
Reviewed by Jun Okada

View the full Table of Contents at http://bit.ly/1V3dnOj

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