Apologies for cross-posting Call for Chapters: Eye Tracking the Moving Image Edited Collection We are inviting 500 word abstract submissions for a proposed anthology edited by Tessa Dwyer (University of Melbourne), Claire Perkins (Monash University), and Sean Redmond (Deakin University). The anthology will explore the ways in which eye tracking technology offers academics and practitioners new and innovative ways to assess and understand viewer engagement with moving images. Inter and cross-disciplinary in approach, the editors seek submissions that either directly employ eye tracking technology in their empirical research or that assess its usefulness and limitations for the study of moving images and their audiences. The anthology will be divided into three distinct sections: eye tracking aesthetics; eye tracking environments; and eye tracking intersections, where text, viewers and environment are brought together under one articulating set of forces. We would ask you to indicate in your submission which section your proposed chapter is intended for. The editors' welcome abstracts that address (but need not be restricted to) the following themes: Eye Tracking Aesthetics Movement and colour Objects Landscape Story and narrative Characters Mise-en-scene Text and sub-titling Series and seriality Faces Sound and image The Leitmotif The short film Editing - continuity, discontinuity, slow, fast, Performance and stardom Eye Tracking Environments The domestic viewing context Different screens and screen sizes Multi-plexes, Imax theatres, Arthouse and independent cinemas Mobile devices and mobility Public screens Surveillance screens Haptic environments Galleries, museums and immersive installations Eye Tracking Intersections Place, space and bodies The art-science nexus Screening brains Cognition and embodiment New materialism The phenomenology of the senses Haptic vision Neuroscience and psychology Media, advocacy and accessibility Active/passive dichotomies Please contact the editors with any enquiries and/or expressions of interest. Abstracts should be submitted as a word document by 1st September 2015 to the editor's email addresses: Tessa Dwyer: [log in to unmask]<mailto:[log in to unmask]> Claire Perkins: [log in to unmask]<mailto:[log in to unmask]> Sean Redmond: [log in to unmask]<mailto:[log in to unmask]> Important Notice: The contents of this email are intended solely for the named addressee and are confidential; any unauthorised use, reproduction or storage of the contents is expressly prohibited. If you have received this email in error, please delete it and any attachments immediately and advise the sender by return email or telephone. Deakin University does not warrant that this email and any attachments are error or virus free. ---- Screen-L is sponsored by the Telecommunication & Film Dept., the University of Alabama: http://www.tcf.ua.edu