View the full Table of Contents at http://www.oxfordjournals.org/page/6386/4
ARTICLES
Screening and disclosing fantasy: rear projection in Hitchcock
by Elisabeth Bronfen
The Kuchars, the 1960s and queer materiality
by Juan A. Suárez
Animation to spare in Chris Landreth's and Ryan Larkin's short films
by Jennifer Blair
Televisual forensics on the edge of chaos: postgenomic complexity in CSI: Crime Scene Investigation
by Sofia Bull

THE SCREEN ANIMALS DOSSIER
Introduction
by Laura McMahon
Surrealist contagion: Le Vampire
by Oliver Gaycken
Yervant Gianikian and Angela Ricci Lucchi's Animali Criminali
by Anat Pick
Towards a theory of documentary representation for animals
by Brett Mills
Animal agency in Le Quattro volte
by Laura McMahon
‘Practically infinite manipulability’: domestic dogs, canine performance and digital cinema
by Michael Lawrence

REPORTS, DEBATES AND RESEARCH NOTES
Queer or human? LGBT film festivals, human rights and global film culture
by Karl Schoonover
Cinema and demography
by Justin Sully
Festivals and the politics of space and mobility: the Tarifa/Cordoba African Film Festival (FCAT) as nomadic heterotopia
by Lindiwe Dovey and Federico Olivieri
Read now at http://www.oxfordjournals.org/page/6386/4

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