Zone Books has just published a mammoth book on the visual culture of nongovernmental activism, which has many contributions directly relevent to film, TV and digital media: Sensible Politics: The Visual Culture of Nongovernmental Activism edited by Meg Mclagan and Yates Mckee Political acts are encoded in medial forms—feet marching on a street, punch holes on a card, images on live stream, tweets—that have force, shaping people as subjects and constituting the contours of what is sensible, legible, visible. Thus, these events define the terms of political possibility and create terrain for political actions. Sensible Politics: The Visual Culture of Nongovernmental Activism considers the con- stitutive role played by aesthetic and performative techniques in the staging of claims by nongovernmental activists. Attending to political aesthetics means focusing not on a disembodied image that travels under the concept of art or visual culture, nor on a pre- formed domain of the political that seeks subsequent expression in medial form. Instead, it requires bringing the two realms together into the same analytic frame. Drawing on the work of a diverse group of contributors, from art historians, anthropologists, and political theorists to artists, filmmakers, and architects, Sensible Politics situates aesthetic forms within broader activist contexts and networks of circulation and in so doing offers critical insight into the practices of mediation whereby the political becomes manifest. “Photographs, maps, videos, reports, charts, spaces, and bodies—these and many other material things assemble into what the editors of this remarkable volume call an ‘image-complex’ that conditions how we know what we know, and what we do with that knowledge. Sensible Politics is a practical, theoretical guide for thinking and acting in the aesthetico-political register that puts art and politics together with rigor, imagination, and urgency. For anyone concerned with these matters, this is not just an interesting book, or a useful book. It is a necessary book.” —Reinhold Martin, author of Utopia’s Ghost: Architecture and Postmodernism, Again “Sensible Politics seeks to attend to the dispersion of aesthetics across the multiple institutional and discursive networks and platforms that constitute political action in the present. And so it does! Sensible Politics confounds our current divisions of the aesthetic and the political and challenges scholars and activists —scholaractivists and activistscholars—to rethink the political potential of images as they are absorbed by the concrete apparatuses of contemporary regimes of governmentality.” —Elizabeth A. Povinelli, author of Economies of Abandonment: Social Belonging and Endurance in Late Liberalism 664 pp, 17 color/114 b&w images ISBN 978-1-935408-24-6 Zone Books are distributed by the MIT Press. Online at www.zonebooks.org. Table of Contents: part one: the persistence of photography ariella azoulay Regime-Made Disaster: On the Possibility of Nongovernmental Viewing thomas keenan Disappearances: On the Photographs of Trevor Paglen eduardo cadava Of Veils and Mourning: Fazal Sheikh’s Widowed Images jaleh mansoor Making Human Junk roger hallas Photojournalism, NGOs, and the New Media Ecology part two: disobedient bodies, circulating images, archival traces judith butler Bodies in Alliance and the Politics of the Street amahl bishara Circulating the Stances of Liberation Politics: The Photojournalism of the Anti-Wall Protests benjamin j. young On Strike: Allan Sekula’s Waiting for Tear Gas huma yusuf The Convergence of Old and New Media during the Pakistan Emergency hugh raffles Holocaust in Your Face negar azimi Iran in Pictures: Social Suffering and Three Sets of Images ann cvetkovich Sex in an Epidemic as AIDS Archive Activism: An Interview with Jean Carlomusto kendall thomas Envisioning Abolition: Sex, Citizenship, and the Racial Imaginary of the Killing State carrie lambert-beatty Women, Waves, Web part three: cinema, documentary, political effects jonathan crary Jean-Luc Godard, Histoire(s) du cinéma meg mclagan Imagining Impact: Documentary Film and the Production of Political Effects barbara abrash and meg mclagan Granito: An Interview with Pamela Yates barbara abrash and meg mclagan State of Fear and Transitional Justice in Peru: A Case Study kirsten johnson All Eyes zeynep devrim gürsel Following Coffee Futures: Reflections on Speculative Traditions and Visual Politics part four: expanded architectures felicity d. scott Woodstockholm yates mckee and meg mclagan Forensic Architecture: An Interview with Eyal Weizman alessandro petti, sandi hilal, and eyal weizman The Morning After: Profaning Colonial Architecture andrew herscher Political Activism in Post-Yugoslavia: Heritage, Identity, Agency yates mckee How to Do Things with Space— Expanded Architecture and Nongovernmental Politics: An Interview with Laura Kurgan part five: multiplying platforms sam gregory The Participatory Panopticon and Human Rights: WITNESS’s Experience Supporting Video Advocacy and Future Possibilities sam gregory Human Rights Made Visible: New Dimensions to Anonymity, Consent, and Intentionality faye ginsburg Indigenous Counterpublics: A Foreshortened History leshu torchin The White Band’s Burden: Humanitarian Synergy and the Make Poverty History Campaign charles zerner Honey in the City: Just Food’s Campaign to Legalize Beekeeping in New York City liza johnson The Market Is the Medium: Postcynical Strategies in the Work of Michael Rakowitz ---- For past messages, visit the Screen-L Archives: https://listserv.ua.edu/archives/screen-l.html