*With apologies for cross posting* The latest issue of Adaptation has just published online. Articles in this issue include: 'Mine Eyes Have Seen the Glory': The Cinematic Adaptation of American Poetry <http://www.oxfordjournals.org/page/4484/1> Michael Devine 'Clad in Robes of Virgin White': The Sexual Politics of the 'Lingerie' Dress in Novel and Film Versions of The Go-Between<http://www.oxfordjournals.org/page/4484/2> Sarah Edwards The Ethics of Alterity: Adapting Queerness in Brokeback Mountain<http://www.oxfordjournals.org/page/4484/3> Matthew Bolton William Blake and Dead Man<http://www.oxfordjournals.org/page/4484/4> Troy Thomas The Illusory Architext of the Institute Benjamenta<http://www.oxfordjournals.org/page/4484/5> David Sorfa Hindianizing Heidi: Working Children in Abdul Rashid Kardar's Do Phool<http://www.oxfordjournals.org/page/4484/6> Michael Lawrence Reviews Strange Bedfellows: The Post-Literary Novel, the Devoutly Literary Novel, and the Media Revolution That Was Supposed to Kill Them but Gave Them Life Instead<http://www.oxfordjournals.org/page/4484/7> Thomas Leitch Cloaked Conspiracies: Catherine Hardwicke's Red Riding Hood (2011)<http://www.oxfordjournals.org/page/4484/8> Natalie Hayton Sixth Annual Association of Adaptation Studies Conference, Yeni Yüzyıl University, Istanbul, 29-30 September 2011<http://www.oxfordjournals.org/page/4484/9> Antonija Primorac About the journal Adaptation is an international, peer-reviewed journal, offering academic articles, film and book reviews, including both book to screen adaptation, screen to book adaptation, popular and 'classic' adaptations, theatre and novel screen adaptations, television, animation, soundtracks, production issues and genres in literature on screen. Adaptation provides an international forum to theorise and interrogate the phenomenon of literature on screen from both a literary and film studies perspective. For more information and to subscribe please visit www.adaptation.oxfordjournals.org<http://www.adaptation.oxfordjournals.org> Oxford University Press (UK) Disclaimer This message is confidential. You should not copy it or disclose its contents to anyone. You may use and apply the information for the intended purpose only. OUP does not accept legal responsibility for the contents of this message. Any views or opinions presented are those of the author only and not of OUP. If this email has come to you in error, please delete it, along with any attachments. Please note that OUP may intercept incoming and outgoing email communications. ---- Learn to speak like a film/TV professor! Listen to the ScreenLex podcast: http://www.screenlex.org