Dear all Apologies for cross-posting and further apologies for shameless self-promotion: you'll find a more critical account of how self-promotion works in an era of digital television and DIY fame in the final chapter of the book below. Hope its useful to some on the list. Best James Just published: James Bennett (2010) Television Personalities: Stardom and the Small Screen, Routledge. Praise for the book: 'Television Personalities is going to be one of the defining texts in teh fields of television, and celebrity studies. It is an outstanding piece of scholarship that is beautifully, accessibly written' - Sean Redmond, Editor of Celebrity Studies Journal 'In this useful, thoughtful book, Bennett investigates a crucial element that has gone missing from our current understanding of television: prceisely how it participates in the production and consumption of celebrity. He explores the longstanding assumptions about how television stardom works, making the book essential reading for anyone interested in contemporary television'. Graeme Turner, Professor of Critical and Cultural Studies, University of Queensland, Australia. About the book: Celebrities have come to increasingly dominate the media and its study in contemporary culture. Although acknowledged as part of this general rise in the importance of celebrity culture, television’s specific forms of stardom have until now remained largely under-theorised. Television Personalities: Stardom and the Small Screen examines how television personalities function as commodities, and also function ideologically, thus relating them to issues of class, national identity, sexuality, gender and social history. Television Personalities sets out a new way of considering televisual fame, arguing that it must be understood on its own terms, and establishing the television personality as a particular set of performers whose celebrity is constructed through discourses of ordinariness, authenticity and intimacy. It demonstrates how televisual fame is the product of skilled performances that function at the very heart of why we enjoy television, and the cultural and ideological role television plays in society. The book is divided into three sections that trace the historical development of televisual fame from the 1950s through to the emergence of ‘DIY’ celebrity in the digital era. It examines the economics, aesthetics, production, histories, futures and ideological functions of the television personality across a range of examples, including: * Benny Hill, Steve Irwin, Oprah Winfrey, Cilla Black, Simon Cowell, Ricky Gervais, Alan Titchmarsh, Nigel Lythgoe * the stars of YouTube and television’s smaller screens * Extras, Top Gear, The Naked Chef, The Weakest Link. Television Personalities offers an exciting, engaging approach to studying and understanding the most prominent and popular performers in television and celebrity culture. It is an original, indispensable guide for undergraduate and postgraduate students of media, television and celebrity studies, as well as those interested in digital culture more widely. http://www.amazon.co.uk/Television-Personalities-Stardom-Small-Screen/dp/0415481899/ref=sr_1_1?s=books&ie=UTF8&qid=1286983982&sr=1-1 Companies Act 2006 : http://www.londonmet.ac.uk/companyinfo ---- Online resources for film/TV studies may be found at ScreenSite http://www.ScreenSite.org