BTW, the film that's being dubbed at the beginning of WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN is Nicholas Ray's JOHNNY GUITAR. --Marty Norden Quoting "Larsson, Donald F" <[log in to unmask]>: > Also the television melodrama being dubbed in WOMEN ON THE VERGE OF > A NERVOUS BREAKDOWN. > ___________________________________________________ > "Only connect!" --E.M. Forster > > Donald F. Larsson, Professor > English Department, Minnesota State University, Mankato > Email: [log in to unmask] > Mail: 230 Armstrong Hall, Minnesota State University > Mankato, MN 56001 > Office Phone: 507-389-2368 > > ________________________________________ > From: Film and TV Studies Discussion List [[log in to unmask]] on > behalf of [log in to unmask] [[log in to unmask]] > Sent: Sunday, June 06, 2010 11:30 AM > To: [log in to unmask] > Subject: Re: [SCREEN-L] incorporation of TV/cinema screen into > cinema narrative > > Bill, you might take a look at Pedro Almodovar's films for other > examples. Two that I can think of offhand are his use of ALL ABOUT > EVE in ALL ABOUT MY MOTHER and Bunuel's THE CRIMINAL LIFE OF > ARCHIBALDO DE LA CRUZ in LIVE FLESH. > > --Marty Norden > -------------------------------------------------------------------- > Martin F. Norden > Communication Dept., 409 Machmer Hall norden(at)comm.umass.edu > University of Massachusetts-Amherst fax: 413 545-6399 > Amherst, MA 01003 USA vox: 413 545-0598 > Home page: http://people.umass.edu/norden > -------------------------------------------------------------------- > > Quoting "W. McCarthy" <[log in to unmask]>: > >> I wonder if someone would be kind enough to direct me toward any studies -- >> or even mere lists of examples -- which have been made of the incorporation >> of images of a TV (and/or cinema) screen into a film's narrative -- screen >> within a screen, that is. What I have chiefly in mind are complex examples >> such as Arturo Ripstein's Así es la vida, Stone's Any Given Sunday, >> Cronenberg's Videodrome, Dassin's Dream of Passion, etc., in which the >> screen's images are somehow integral to (or make ironic comment upon) the >> on-going narrative. In Any Given Sunday, e.g., Wyler's 1959 Ben-Hur plays on >> a screen in order to produce an ironic atmosphere in a key scene. However, >> any instance, even incidental, in which a TV or film screen is incorporated >> would interest me. >> >> Gratefully, >> Bill McCarthy ---- Learn to speak like a film/TV professor! Listen to the ScreenLex podcast: http://www.screenlex.org