Hi Michael,

also Allen's "Husbands and Wives" might be interesting in the context  
as it's about making a documentary and thefilmmaker in the editing  
room are featured. Also Annie Hall has the protagonist "recover" after  
seeing a Marx Bros pic with his niece and realizing that life should  
not be taken too seriously. Pretty much any Allen movie has allusions  
to and movie watching in it...

Greetings,
Britta


Am 06.06.2010 um 16:07 schrieb Frank, Michael:

> PURPLE ROSE OF CAIRO
>
> HITCHCOCK'S SABOTAGE -- dealt with in detail by susan smith in her  
> splendid book on hitchcock
>
> -----Original Message-----
> From: Film and TV Studies Discussion List [mailto:SCREEN- 
> [log in to unmask]] On Behalf Of W. McCarthy
> Sent: Friday, June 04, 2010 10:13 AM
> To: [log in to unmask]
> Subject: [SCREEN-L] incorporation of TV/cinema screen into cinema  
> narrative
>
> I wonder if someone would be kind enough to direct me toward any  
> studies --
> or even mere lists of examples -- which have been made of the  
> incorporation
> of images of a TV (and/or cinema) screen into a film's narrative --  
> screen
> within a screen, that is. What I have chiefly in mind are complex  
> examples
> such as Arturo Ripstein's AsŪ es la vida, Stone's Any Given Sunday,
> Cronenberg's Videodrome, Dassin's Dream of Passion, etc., in which the
> screen's images are somehow integral to (or make ironic comment  
> upon) the
> on-going narrative. In Any Given Sunday, e.g., Wyler's 1959 Ben-Hur  
> plays on
> a screen in order to produce an ironic atmosphere in a key scene.  
> However,
> any instance, even incidental, in which a TV or film screen is  
> incorporated
> would interest me.
>
> Gratefully,
> Bill McCarthy
>
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>
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********************
Dr. Britta Feyerabend
Department of English and Linguistics
American Studies
Johannes Gutenberg-Universitšt Mainz
Jakob Welder-Weg 18
D-55099 Mainz
Deutschland/Germany

E-mail: [log in to unmask]
Tel: +49-(0)6131-3925691
Fax: +49-(0)6131-3925577


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