2006 Proceedings CD - "The Documentary Tradition" Eds. Peter C. Rollins, John E. O'Connor, and James Knecht ISBN: 0-9746905-4-6 (Libraries: $125 and Individuals: $25) www.uwosh.edu/filmandhistory Table of Contents Burns, Eisenstein, Grierson, & Wiseman - "The influence of Stephen Tallents on 'John Grierson's documentary school'" by Scott Anthony - "My Grierson: An Erstwhile Student Remembers" by Gary Evans - "Public Housing: Wiseman and Chicago's Institutions" by Laurence Gervais-Linon - "The Civil War: A Battleground of Meaning" by Judith Lancioni - "Optical Distortion in Eisenstein's Strike: a Metaphor for New Vision" by Ana Olenina Direct Cinema & Art Of The Real - "'Trust me...I'm a Screenwriter!' - Exploring Problems of Narrative Structure and Closure in Contemporary Film's Portrayal of 'The Real'" by Craig Batty - "The Snowshoers (Les Raquetteurs) (1958): defining moments of local Quebec Identity" by Tity de Vries - "Sifting Through the Ashes: A Literary and Cinematic Approach to Surveying The Life of Miguel Pinero" by Van G. Garrett - "Enlisted cinea or cinema for peace? Peace in Israeli cinema in service of political Ideologies" by Yvonne Kozlovsky Golan - "Exposing The Showman: Joseph E. Levine and the Maysles Brothers" by Anthony T. McKenna - "Moana, Tabu, and Legong: Silent Lyricism in the South Seas" by Richard Ward & Rosalind Rountree Docudrama & Reality TV - "Visible Victims: the Politics of Suffering in Omagh" by Aileen Blaney - "When Fantasy Becomes Reality: Who Wants to Be a Superhero?" by Kathy Merlock Jackson - "Reality TV, from catch-phrase to catch-all-phrase? A multidimensional taxonomic study of the hybrid forms, practices and meanings of popular factual television formats" by Jelle Mast - "Donald Brittain's The Champions (1976-1986): Words That Glow in the Dark" by Ronald Smith International Fare - "Between 'Truth' and 'Truth' Production: Ambivalent Translations of Vertov's Theory of the Interval in the Documentaries of Fernando Solanas and Octavio Getino" by Stuart Davis - "Im Toten Winkel (Blind Spot, 2002)-What Did Traudl Junge Know? And When?" by John Shelton Lawrence - "For a Stronger Nation: Public Health Documentaries in Spain Before the Civil War (1936-1939)" by Enrique Perdiguero - "Special Assignment: a South African investigative documentary TV series and its strange origins in the Afrikaans anti- apartheid press" by Alette Schoon Michael Moore & Errol Morris - "Michael Moore and political documentary in an age of infotainment. A case study on the role and audience perceptions of Belgian documentary filmmakers" by Frank Boddin & Kristel Vandebrande - "Transformation and Truth" The body as signifier of fidelity in Morgan Spurlock's Super Size Me (2004)" by Peri Bradley - "Bodies and War: Hearts and Minds and Fahrenheit 9/11" by Jeffrey Chown - "'What Did You Say You'd Downsize?': Michael Moore's Films and the Social Consequences of Deindustrialization" by Juan Jose Cruz - "The Fog of Documentary: Errol Morris and Mutating Expectations" by Pam Fossen - "Race, Place, and Power in the Documentaries of Michael Moore" by Walter D. Greason Mockumentaries & Real Life Documentaries - "Through a Controversial Lens: Teaching the PBS Emma Goldman Documentary" by Kersten Jacobson Biehn - "Fun With Auntie Zana: Born into Brothels and the Fragile Integrity of the Documentary Subject" by Lindsay Coleman - "Between What Is and What If: Kevin Willmott's CSA" by Thomas Prasch - "Constructing Authority in the Documentary: Film History in Forgotten Silver(1995)" by Kimberly Sultze - "HBO's Real Sex documentary series: Are we ready for sex?" by Laura Vazquez Nature & The Environment - "In the Belly of the Bear: Grizzly Man and the Problem of Incorporation" by Gina M. Granter - "A Tale of Two Darwins: Competition and Cooperation in The March of the Penguins and Grizzly Man" by Lawrence S. Mastroni - "Documenting Native Peoples and Nature: Lessons learned through Cross-disciplinary Insights" by Salma Monani - "Cinematic Primitivism: Landscapes in Frances Hubbard and Robert Flaherty's Documentaries" by Hanna Musiol - "Grizzly Man: Treadwell and Herzog" by Liam O'Brien - "Unbearably Human: Werner Herzog's Grizzly Man and the American Character" by Jason Pierce War In Documentary & Fiction Films - "The Curse of the Clap: 'Sexual Hygiene' the Navy Way" by Kathleen A. Brown - "Vietnam, The Ten Thousand Day War: Ten Thousand Days On" by Chris Dixon - "Images of Hitler: Representing the Third Reich between imagination and documentation" by Tobias Ebbrecht - "Some Notes on San Pietro" by Jeremy Murray-Brown - "Frank Capra and Leni Riefenstahl: Politics, Propaganda and the Personal" by Ian Scott - "JFK & The Bridge on the River Kwai: 'Credible' History?" by Keith Wheelock Miscellaneous - "Widening the margins of inclusivity: Telling women's stories 'from below'" by Marion Gagnon - "The Man Who Went Back There: Representation of historical identities in the film 'The Art of Living'" by Amir Har-Gil - "'The Sunshine Boys of Smut'" Documenting Cinema's Sordid Side in 'Mau Mau Sex Sex' (2001)" by Cynthia J. Miller - "The Bloody Enterprise of Anti-Poaching: Documenting the Ethno- politics and Environmental Politics in China" by Fei Shi - "The Flow of Consumer Citizenship: The New Deal, Hollywood Cinema and Pare Lorentz's The River (1938)" by Anna Siomopoulos - "'I Can See the Playground in Him': Hoop Dreams and Rodney King" by Travis Vogan Video Recordings (60-90 mins each) - Opening Program -Allen and Cynthia Salzman Mondell of Media Projects. Two veteran documentarians discuss their work in social and historical films. - Plenary Session - Raymond Fielding on March of Time, the newsreel series. - Plenary Session - Betsy McLane with an overview of documentary history. - Strong Enough To Break - with Hanson. This musical group's film and its music. - Plenary Session - D.A. Pennebaker & Chris Hegedus. Two film giants and their work direct cinema, to include the classic Primary and the more recent efforts such as The War Room. Film & History 36.2 Editor's Reflections and Reports by Peter C. Rollins ([log in to unmask]) New Editorial Address for Film & History at the U of Wisconsin, Oskosh, where it is located within The Center for the Study of Film and History. www.uwosh.edu/filmandhistory Loren PQ Baybrook [log in to unmask] Order Proceedings from Film & History, Oshkosh. Librarians should find an order form on the web site during the last week of November, 2007. Cost to libraries is $125. Cost to individuals is $25. See details at www.uwosh.edu/filmandhistory ---- To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L in the message. Problems? Contact [log in to unmask]