Hello, also "Requiem for a Dream." Emily On Sun, 14 Oct 2007, Timothy Shary wrote: > Carol, > > This is a great question that makes us all reconsider issues of "intensity" in films. Given the films you cite as examples, I would also suggest the following: > > The Machinist > Amores Perros > Hostel > Kuraingu furîman / Crying Freeman (1988)... seems to inspire a lot of them > Shoot 'Em Up > Heaven (Tykwer's 2002 film) > Saw (given much attention, but rather lame as a franchise) > > Just keep cross-referencing the movies your feel are part of this style on IMDb or other websites-- which our students do for "research"-- and you will find many more. > > Best wishes, > > Tim > > Dr. Timothy Shary > Director of Film & Video Studies > University of Oklahoma > > > > > -----Original Message----- > From: Film and TV Studies Discussion List on behalf of Carol Vernallis > Sent: Sat 10/13/2007 3:38 PM > To: [log in to unmask] > Subject: [SCREEN-L] Intensified Films and Their Soundtracks > > I'm interested in sped-up, cut-up, prismatic and/or changeable contemporary > films and their soundtracks (examples include Greengrass's The Bourne > Ultimatum, Assayas's Clean, Neveldine's Crank, Scott's Domino, Gondry's > Eternal Sunshine of the Spotless Mind, To's Full Time Killer, Akin's > Head-On, and Antal's Kontroll). My best way of finding out about these > films has been through asking my students, but they've run out of > suggestions. Would you be willing to tell me which films you admire? Feel > free to contact me on the list or directly at [log in to unmask] > > > > Sincerely, > > > > Carol Vernallis > > ---- > Screen-L is sponsored by the Telecommunication & Film Dept., the > University of Alabama: http://www.tcf.ua.edu > > > ---- > Online resources for film/TV studies may be found at ScreenSite > http://www.ScreenSite.org > ---- Online resources for film/TV studies may be found at ScreenSite http://www.ScreenSite.org