I'm interested in sped-up, cut-up, prismatic and/or changeable contemporary films and their soundtracks (examples include Greengrass's The Bourne Ultimatum, Assayas's Clean, Neveldine's Crank, Scott's Domino, Gondry's Eternal Sunshine of the Spotless Mind, To's Full Time Killer, Akin's Head-On, and Antal's Kontroll). My best way of finding out about these films has been through asking my students, but they've run out of suggestions. Would you be willing to tell me which films you admire? Feel free to contact me on the list or directly at [log in to unmask] Sincerely, Carol Vernallis ---- Screen-L is sponsored by the Telecommunication & Film Dept., the University of Alabama: http://www.tcf.ua.edu