I piloted the Barsam text for a summer class just before its initial release and the student reaction seemed pretty favorable at the time. This year, I used it as my main text instead of FILM ART, in both fall and spring semesters. It does have particular strengths, and its ancillaries (CD-ROM, website) both have some very good features, if your students can access them. However, in the longer 15-week space of a full semester, I found it increasingly difficult for own way of dealing with film concepts, mainly in its discussion of "mise-en-scene," which has a more inclusive definition than Bordwell & Thompson. While there are good precedents for that definition, it dilutes and confuses the topic (for me, and I think for my students as well). For example, acting has a separate chapter and the main discussion of lighting is reserved for the chapter on cinematography. Some of the discussions and definitions tend to be more abstract than I care for. I expect that it's largely a matter of personal preference and training in the use of these terms, but I was planning to switch back to B&T this year while continuing to look at other options. I haven't done a close comparison of the new second edition of Barsam, however. Don Larsson ----------------------------------------------- "Nothing is ever the same as they said it was. It's what I've never seen before that I recognize." --Diane Arbus Donald F. Larsson Department of English, AH 230 Minnesota State University Mankato, MN 56001 [log in to unmask] Office Phone: 507-389-2368 ________________________________ From: Film and TV Studies Discussion List on behalf of Frank, Michael Sent: Thu 6/7/2007 6:52 PM To: [log in to unmask] Subject: [SCREEN-L] textbook query after an extended hiatus, i will be teaching "into to cinema studies" again in the fall, and hope to enlist screen-L's help in reconsidering textbook options . . . i assume that bordwell & thompson' SCREEN ART is still the gold standard, but i suspect it's a bit much for non-specialist beginning students who will be taking the course simply to fulfill distribution requirements i've been examining richard barsam's LOOKING AT MOVIES; at first glance it seems to have a number of things going for it . . . unfortunately i don't have time to give it a careful reading before i need to place my book orders . . . so i'm wondering if anyone has had any experience with this book that they can share -- or, for that matter, other strong recommendations thanks in advance mike ---- For past messages, visit the Screen-L Archives: http://bama.ua.edu/archives/screen-l.html ---- To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L in the message. Problems? Contact [log in to unmask]