THE VELVET LIGHT TRAP A CRITICAL JOURNAL OF FILM AND TELEVISION STUDIES Call for Papers: Remakes Given how various cinemas have become increasingly reliant on existing (and theoretically more surefire) properties, it seems timely to take remakes into deeper consideration. Remakes have risen in importance in a time when fewer original screenplays can command big budgets (if indeed we can even bandy about the concept of originality in the wake of postmodernity). But as the number of remakes has exploded, so have meditations on what this development can tell us about the current cultural climate. The editors of The Velvet Light Trap #61 thus seek contributions that nuance previous arguments about remakes. We are also interested in a multitude of aspects informing remakes and have defined the term broadly. Possible subjects include but are not limited to: Self-reflexivity and intertextuality Cross-cultural remakes Modes of productions for remakes Updates Remake cycles Rip-offs Adaptations Sequels and sequelitis Critical and/or commercial failures Abandoned/delayed projects Stages of adaptation (screenplay drafts; the director's interpretation; the cutting room floor; etc.) Film literacy and the cultural competence of audiences To be considered for publication, papers should be between 4,500 and 7,500 words, double-spaced, in MLA style, with the author's name and contact information included only on the cover page. Queries regarding potential submissions also are welcome. Authors are responsible for acquiring related visual images and the associated copyrights. For more information or to submit a query, please contact Kevin John Bozelka ([log in to unmask]). All submissions are due January 15, 2007. The Velvet Light Trap is an academic, refereed journal of film and television studies published semi-annually by University of Texas Press. Issues are coordinated alternately by graduate students at the University of Texas-Austin and the University of Wisconsin-Madison. After a prescreening, articles are anonymously refereed by specialist readers of the journal's Editorial Advisory Board, which includes such notable scholars as Charles Acland, David William Foster, Sean Griffin, Bambi Haggins, Heather Hendershot, Charlie Keil, Dan Marcus, Nina Martin, Joe McElhaney, Walter Metz, Jason Mittell, James Morrison, Steve Neale, Karla Oeler, Lisa Parks, and Malcolm Turvey. Please address submissions to: The Velvet Light Trap c/o The Department of Radio-Television-Film University of Texas at Austin CMA 6.118, Mail Code A0800 ---- To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L in the message. Problems? Contact [log in to unmask]