Screening the Past: Special Issue Cinema/Theatre Guest Editors: Des O'Rawe and Sam Rohdie Screening the Past is seeking contributions for a special issue devoted to the development of new writing on the formal and cultural relations between cinema and theatre. The editors wish to publish original articles that explore areas of aesthetic convergence between film and theatre, and that significantly develop upon or challenge existing studies in this field. The editors welcome proposals that are developing innovative approaches to issues such as: • The influence or legacy of theatre in the cinema of directors – or groupings of directors – with strong associations to both art forms (e.g. Nicholas Ray, Jacques Rivette, Max Opüls, John Cassavetes, Jean Renoir, Orson Welles, Elia Kazan, Sergei Eisenstein, Ingmar Bergman, Eric Rohmer, Jean Cocteau, Jacques Demy, Luchino Visconti, Kenji Mizoguchi, Otto Preminger, Robert Siodmak, Vincente Minnelli, Buster Keaton, Federico Fellini, F.W. Murnau, and Carl Dreyer); • The historical and structural relations between specific theatre movements and the cinema (e.g. American radical theatre of the 1930s and Hollywood cinema; or theatre, film and the European avant-gardes); • The significance of theatrical acting styles, performance elements, and staging techniques to the origins and transformations of cinematic mise en scčne (e.g. 'theatricality', scripting, improvisation, voice, gesture, choreography, dance, costume, etc.); • The filmic integration or appropriation of theatrical genres, conventions, and motifs (e.g. melodrama, illusion and magic, vaudeville, puppets, masks, choruses, the circus, the clownesque, etc.); • The influence of popular theatres and theatrical forms on Asian and other non-Western cinemas; • The institutional and stylistic impact of the migration of European theatre directors, actors, technicians and impresarios to the U.S. in the 1930s; • The relations between theatricality and documentary film. Please send 500 word abstracts/outline proposals to both editors by 31 August 2006. Des O'Rawe: [log in to unmask] Lecturer in Film Studies, Queen's University Belfast Sam Rohdie: [log in to unmask] Professor of Cinema Studies, University of Central Florida All the best, P. ---------------------------------- Peter Hughes Program Coordinator, Media Studies Program, La Trobe University, Victoria, 3086, Australia. ph: +61 3 9479 3065 (w), fax: +61 3 9479 3638 (w) http://www.latrobe.edu.au/media Screening the past. An international, refereed electronic journal of visual media and history: http://www.latrobe.edu.au/screeningthepast All the best, P. ---------------------------------- Peter Hughes Program Coordinator, Media Studies Program, La Trobe University, Victoria, 3086, Australia. ph: +61 3 9479 3065 (w), fax: +61 3 9479 3638 (w) http://www.latrobe.edu.au/media Screening the past. An international, refereed electronic journal of visual media and history: http://www.latrobe.edu.au/screeningthepast ---- To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L in the message. Problems? Contact [log in to unmask]