-------- Original Message -------- Subject: Screen Studies Conference, Glasgow Date: Fri, 27 May 2005 14:04:39 +0100 From: Caroline Beven <[log in to unmask]> To: [log in to unmask] /*Screen*/* Studies Conference 1-3 July 2005* *Gilmorehill Centre* *University of Glasgow* There's still just time to register for the Screen Studies Conference, but forms must be with us by* 10 June* at very latest. If you wish to attend the Conference, a registration form is attached to this e-mail (in both Word & pdf formats), which also includes details of accommodation. Lunches for Saturday and Sunday are included in the registration fee. Please print, complete and return the form to/ Screen/ with full payment as soon as possible. If you require an invoice, you may send the form without payment, but make sure to mention this on the form. The conference will run from around 3pm Friday afternoon to 3pm Sunday afternoon. Please contact us by e-mail if you require any further information at this stage. Updates will be posted on the/ Screen/ website, www.screen.arts.gla.ac.uk. We hope to see you in July! Caroline Beven *ACCEPTED PAPERS* * * *Researching the history of the British Film Institute* Christope Dupin: The revolution of the British Film Institute in the late 1940s and its impact on film culture in Britain Geoffrey Nowell-Smith: The crisis in the BFI in 1970 and its aftermath *Cultural consecration and its discontents: the Arts Council v. film and video artists' organisations, 1975 to present *Peter Thomas: The struggle for funding: sponsorship, competition and pacification Julia Knight: Agency v. archive: London Film-Makers' Co-op and London Electronic Arts v. Film and Video Umbrella Duncan Reekie: Internalising the other: the end of the London Film-Makers' Co-op *Cinema in Iran *Christopher Gow: Sohrab Shahid Saless and the 'everyday' Saeed Zeydabadi-Nejad: State control and Iranian cinema *Film studies as discipline *Noel King: Every day I write the list: the return of the concept of the canon to film cultural debate Catherine Grant: World Cinema and its limits Kwak Yung-Bin: Can we Enjoy (Zizek as) our symptom?: Zizek, cognitivism and the crisis of film studies as a discipline *Intersections of the image: global media, local markets *Leon Gurevitch: Horizontal cooperation: the economics of product placement in 90s Hollywood Suman Ghosh: Indian films, international audiences: the impact of globalisation on mainstream Indian cinema of the 1990s Alexandra Simcock: A topical taste: the economics of American TV movie production and the commodified aesthetic *Film musical *Cristina Lucia Stasia: One angry inch for the musical, one giant step for the MTV-kind:/ Hedwig and the Angry Inch/ and/ Moulin Rouge /Tom Brown: 'Entertainment and dystopia': French and American cinema of the 1930s, 'musicality' and the genre problem Colin McArthur: High art, mass art and classical Hollywood narrative:/ Rhapsody In Blue/ as paradigm case *Contemporary teen and 'post'-teen television drama *Glyn Davis: 'I don't want to be anything other than what I've been trying to be lately': class, queerness, and/ One Tree Hill /Amy Holdsworth:/ Spaced,/ continued adolescence, performance and belonging Rachel Moseley: 'Are you a Ryan or a Seth girl?': structures of fantasy and desire in/ The O.C. /*Attractions *Helen Stoddart: Early cinema: circus, gravity and machines Manishita Dass: Worlds apart? Modernity and early Indian cinema Rachel Volloch: (E)motion sickness: visceral language and the bio-logical experience of spectatorship *European cinema(s) in the television age *Graham Roberts: Is it all about the material? - from script to screen in the UK Film Council age Stephen Hay: Making rectangles to fit into squares: European cinemas in the television age Dorota Ostrowska: The tradition of joint productions of heritage films and TV serials in Poland: politics and economics of the cinema-TV relationship in the socialist and post-socialist state. *Close reading and its [dis]contents *Kimberly Chabot Davis: Slippery images: ideological ambiguity in Kazan's/ A Face in the Crowd /Ken Nolley: Monnikendam's/ Mother Dao: The Turtlelike/: recontextualizing the orphan image Mike Frank: Judy's Kansas photos: speculations on reading/ Vertigo /*British cinema and romantic comedy *Kathrina Glitre: Matters of life and death: fantasy, romance and comedy, 1944-1949 Mark Bould: Pull the other one; or, mine's a double: production and reproduction in/ The Perfect Woman /Greg Tuck: Loving the (white) alien: ethnicity and romance in/ Passport to Pimlico /Josie Dolan:/ Maytime in Mayfair/: extravagance, restraint and circuits of consumption *Small national cinemas *Duncan Petrie: Images from the edge of the world: the dilemmas of a small national cinema in New Zealand James Udden: The triumph of art over industry: Taiwan's tribulations as a national cinema Jonnny Murray: DOGMAC? Scottish-Scandinavian cinema of the '00s *Guilt, rupture, parody, and nostalgia: contemporary Turkish cinema and the question of tradition *Senem Aytac:/ Rupture/ or tied: urban identities in contemporary Turkish cinema Gozde Onaran:/ Parody/ in contemporary Turkish cinema: break from or search for tradition? Ovgu Gokce: From/ Pathos/ to/ Nostalgia/: Yavuz Turgul's cinema of sentiments Zeynep Dadak:/ Guilt/ and cleansing: love as 'impossibility' in contemporary Turkish cinema *East German television and the political dimension of entertainment *Steffi Schültzke: Comic dramas on East German television Sebastian Pfau/Sascha Trültzsch: The family and the socialist ideology in the TV series of the GDR Lutz Warnicke: Sports on television. the development of a programme focus in East German television Uwe Breitenborn: Disco only in Moscow? Popular culture in East German television *Marketing on film *James Lyons: Did Mildred Pierce drink Jack Daniels?: product placement in postwar Hollywood Madhuja Mukherjee: Glass negatives, history, cultures and ideologies: on image, text and publicity material of Indian cinema (1940s-1950s) Keith M. Johnston: 'Something BIG is on the way': The BIG screen and the BIG sell in 1950s widescreen trailers *British cinema exhibition *Andrew Burke: Beyond the pleasure palace: the seaside resort and British cinema Steve Chibnall : Booking British: Quota Quickies, exhibitors and audiences in the 1930s *Film and consumption *Constance Balides: The text in the formation: women as reform subjects during the progressive era Kara Lynn Andersen: Reinventing the wheel: objects in/ The Hudsucker Proxy /*Deleuze *Lisa Trahair: Gilles Deleuze, cinematic figuration and Jean-Luc Godard's/ Je vous salue, Marie /Steven Rawle: The eternal recurrence of the same: compulsions to repeat in/ Eternal Sunshine of the Spotless Mind /Nadine Boljkovac: Remnants of past and future: violent event, time and memory in Chris Marker's cinema *Television aesthetics *Jason Jacobs: Television aesthetics: an infantile disorder Catherine Johnson: 'Quality' television: aesthetics vs economics? *9/11 *Ivan Kwek: Un/Veiling the moderate Malay Muslim: minority television in Singapore on the eve of September 11 and after Neil Bather: Contemplations on the construction of cinematic evil since 9/11 Carsten Hennig: Hollywood combat post 9/11: analysing the social function of today's war movies Max Dawson: 9/11, the war on terror, and the production of the viewer as witness *Lifestyle television *Elizabeth Nathanson Saidel: As easy as pie: cooking shows and temporal pleasures James Bennett: Making over the makeover: From "everyday aesthetics" to fantasy and performance Frances Bonner : Cooking up a lifestyle: television food presenters tell us what to do *Television *Ann Gray: Televising history Lez Cooke: Regional identity in British television drama, 1960-1982 *Film history and race *Hélčne Charlery: The Americanness of the sexualised and desexualised images of black women under the Hays Code Sarah J. Smith: Tarzan at MGM -- Caroline Beven Screen Gilmorehill Centre Glasgow University Glasgow G12 8QQ Scotland [log in to unmask] www.screen.arts.gla.ac.uk ---- To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L in the message. Problems? Contact [log in to unmask]