I am searching articles/books on Hollywood and transnationalism. This includes US studio/producers' relationships to non-US cinemas in terms of production agreements, support and finance (specifically Mexico and Latin America) and the role and effect of non-US immigrants to Hollywood, particularly in the period 1930- 1950. Any suggestions would be appreciated Thanks ---- To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L in the message. Problems? Contact [log in to unmask]