Follow the link below to the Institute of Film Studies for free access
Scope's new issue

    "Window Shopping"? -- Aesthetics of the Spectacular and Cinéma du Look,
By Patricia Allmer
    News, Reviews, Clues, Interviews and Other Ancillary Materials -- A
Critique and Research Proposal, By Martin Barker
    Third Culture Kids: A Bakhtinian Analysis of Language and
Multiculturalism in Swallowtail Butterfly, By Lori Hitchcock
    Going Out (of Town): New Geographies of Cinema-Going in the UK, By Phil

*Book Reviews*
    A History of the French New Wave Cinema, By Richard Neupert. A Review by
Raymond J. Haberski, Jr.
    Aftershocks: The End of Style Culture, By Steve Beard. A Review by Neil
    Ambient Television: Visual Culture and Public Space, By Anna McCarthy. A
Review by Daniel Chamberlain
    Career Movies: American Business and the Success Mystique, By Jack
Boozer. A Review by Erica Arthur
    Class Struggle in Hollywood, 1930-1950: Moguls, Mobsters, Stars, Reds,
and Trade Unionists, By Gerald Horne. A Review by George Lewis
    Colonial Cinema and Imperial France, 1919-1939: White Blind Spots, Male
Fantasies, Settler Myths, By David Henry Slavin. A Review by Sarah Leahy
    Critical Cultural Policy Studies: A Reader, Edited by Justin Lewis and
Toby Miller. A Review by Jennifer Holt
    The Cultural Industries, By David Hesmondhalgh. A Review by Eithne Quinn
    Dracula, By Peter Hutchings. A Review by Rebecca Janicker
    Early American Cinema in Transition: Story, Style, and Filmmaking,
1907-1913, By Charlie Keil. A Review by David Mayer
    Exhibition: The Film Reader, Edited by Ina Rae Hark, American Audiences
on Movies and Moviegoing, By Tom Stempel, and An Everyday Magic: Cinema and
Cultural Memory, By Annette Kuhn. A Review by Martin Barker
    Film Comedy, By Geoff King. A Review by Hsiao-Pin Chang
    Film Music: Critical Approaches, Edited by K. J. Donnelly, Music and
Cinema, Edited by James Buhler, Caryl Flynn and David Neumeyer. A Review by
Ian Brookes
    Heartbreak and Vine: The Fate of Hardboiled Writers in Hollywood, By
Woody Haut, The Devil Himself: Villainy in Detective Fiction and Film,
Edited by Stacy Gillis and Philippa Gates. A Review by Andrew Pepper
    Horror: The Film Reader, Edited by Mark Jancovich. A Review by Patricia
M. Allmer
    Imperial Projections: Ancient Rome in Modern Popular Culture, Edited by
Sandra R. Joshel, Margaret Malamud, and Donald T. McGuire, Jr., The Ancient
World in the Cinema (Revised and Expanded Edition), By Jon Solomon. A Review
by Karen Fang
    Key Film Texts, By Graham Roberts and Heather Wallis. A Review by Brian
    Masculinity: Bodies, Movies, Culture, Edited by Peter Lehman. A Review
by Kirsty Fairclough
    Monsters, Mushroom Clouds, and the Cold War: American Science Fiction
and the Roots of Postmodernism, 1946-1964, By M. Keith Booker, Atomic Bomb
Cinema: The Apocalyptic Imagination on Film, By Jerome F. Shapiro. A Review
by Elizabeth Rosen
    New Chinese Cinema: Challenging Representations, By Sheila Corneilius
with Ian Hayden Smith, Seven Samurai, By Joan Mellen, A Review by Rayna
    The New Media Book, Edited by Dan Harries. A Review by Karen Orr Vered
    Reading Between Designs: Visual Imagery and the Generation of Meaning in
The Avengers, The Prisoner, and Doctor Who, By Piers D. Britton and Simon J.
Barker. A Review by Lincoln Geraghty
    ScreenPlay: Cinema/Videogames/Interfaces, Edited by Geoff King and Tanya
Krzywinska. A Review by Lorna Jowett
    Spanish National Cinema, By Núria Triana-Toribio. A Review by Camila
    Terrestrial TV News in Britain: The Culture of Production, By Jackie
Harrison. A Review by Graham Barnfield
    Women's Cinema: The Contested Screen, By Alison Butler, Cinema and the
Second Sex: Women's Filmmaking in France in the 1980s and 1990s, By Carrie
Tarr with Brigitte Rollet, Stars and Stardom in French Cinema, By Ginette
Vincendeau. A Review by Rebecca D. Feasey

*Film Reviews*
    8 Mile, A Review by Charlene Keeler
    Adaptation, A Review by Charles Tryon
    Far From Heaven, A Review by June Scudeler
    Harry Potter and the Chamber of Secrets, A Review by Alice Mills
    The Hours, A Review by Natalie Wilson Clift
    Jeanne et le Garçon Formidable, A Review by Florian Grandena
    Neil Jordan Retrospective: Irish Film Theatre, A Review Essay by Jerome
de Groot
    O, A Review by Haley Fishburn
    Salton Sea, A Review by Winter Elliott
    Der Siebente Kontinent (The Seventh Continent), A Review by Eva
    La stanza del figlio (The Son's Room), A Review by Jason Cisarano
    Sweet Home Alabama, A Review by Ross Thompson
    Veronica Guerin, A Review by Karen McNally

*Conference Reports*
    The Changing Faces of Television, Goldsmiths College, University of
London, 15 March, 2003, A Report by Kate Coyer
    Dreaming Someone Else's Dream: Traversing the Spaces of the 13th Annual
Screen Studies Conference, Glasgow University, 4-6 July 2003, A Report by
Michael S. Duffy
    Grand Hotel: The Sopranos and Set Design, Society for Cinema and Media
Studies (SCMS), Minneapolis, Minnesota, 6-9 March 2003, A Report by Benjamin
    New Ground and Familiar Faces, "New Myths?: Science Fiction, Fantasy &
Horror", The 5th Annual Conference of the Department of Arts & Media,
Buckinghamshire Chilterns University College, High Wycombe, 3rd May 2003, A
Report by Lincoln Geraghty
    Tripping the Dark Fantastic: Science Fiction, Fantasy and Horror Film
and Television at ICFA, The Twenty-Fourth Annual International Conference
for the Fantastic in the Arts, The Ft. Lauderdale Hilton, Ft. Lauderdale,
Florida, March 19-23, 2003, A Report by Jeffrey S. Smith

Prof. Mark Jancovich
Director, the Institute of Film Studies
School of American and Canadian Studies
University of Nottingham
Nottingham, NG7 2RD
United Kingdom
Tel: 0115 951 4250
Fax: 0115 951 4270
email: [log in to unmask]

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